Browse "Arts & Culture"
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Who Has Seen the Wind
Who Has Seen the Wind (Toronto and Boston, 1947), a novel by W.O. Mitchell, tells the story of a prairie boy's initiation into the mysteries of life, death, God, and the spirit that moves through everything: the wind.
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Wigwam
A wigwam is a domed or cone-shaped house that was historically used by Indigenous peoples. It was prevalent in the eastern half of North America before the era of colonization. Today, wigwams are used for cultural functions and ceremonial purposes. (See also Architectural History of Indigenous Peoples in Canada.)
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Wilson-McAllister Guitar Duo
Wilson-McAllister Guitar Duo. Duo active 1977-89 and comprised of Donald (William) Wilson (b Elrose, Sask, 21 Feb 1952; B MUS Toronto 1975), and Peter McAllister (b Collingwood, Ont, 19 Aug 1954; B MUS Toronto 1977). Both were students of Eli Kassner.
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Windigo
A windigo (or wendigo) is a supernatural being belonging to the spiritual traditions of Algonquian-speaking First Nations in North America. Windigos are described as powerful monsters that have a desire to kill and eat their victims. In most legends, humans transform into windigos because of their greed or weakness. Various Indigenous traditions consider windigos dangerous because of their thirst for blood and their ability to infect otherwise healthy people or communities with evil. Windigo legends are essentially cautionary tales about isolation and selfishness, and the importance of community.
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Windsor Symphony Orchestra
Windsor Symphony Orchestra. Founded as an amateur orchestra in 1947 in Windsor, Ont by Matti Holli.
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Wine Touring
For many years, Canadian wines were made from native grape varieties not capable of producing fine-quality wines.
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Winnie-the-Pooh
Winnie-the-Pooh is a popular character in children’s books, movies and TV series. Originally appearing in Winnie-the-Pooh, a children’s book written by author A.A. Milne in 1926, the fictional character was based on a female black bear found in White River, Ontario. The bear, also called Winnie, was resident at the London Zoo, where she had been donated by Harry Colebourn, a veterinarian in the Canadian Army during the First World War.
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Winnipeg Auditorium
Winnipeg Auditorium. Winnipeg's main concert hall complex from 1932, when it opened, until 1968, when it was supplanted in that function by the Manitoba Centennial Concert Hall. It was designed jointly by three architectural firms - Northwood & Chivers, Pratt & Ross, and J.N.
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Winnipeg Folk Festival
Winnipeg Folk Festival. It was established in 1974 by Mitch Podolak, Ava Kobrinsky and Colin Gorrie as part of Winnipeg's centennial celebrations.
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Winnipeg Free Press
The Winnipeg Free Press is an English-language newspaper based in Winnipeg, Manitoba. In print since 1872, today the publication also maintains an online version on its website.
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Winnipeg Male Voice Choir
Winnipeg Male Voice Choir. An enterprise of the Men's Music Club. Founded in 1916 as a quartet of club members, it had increased by 1918 to 46. On the death in 1920 of its founding conductor, George Price, Cyril F. Musgrove was brought from England to take over the choir.
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Winnipeg Music Competition Festival Inc
Winnipeg Music Competition Festival Inc (Manitoba Music Competition Festival 1918-83). Founded in Winnipeg in 1918 by the Men's Musical Club (Men's Music Club), which has continued to organize and sponsor it annually. The first festival took place 13-16 May 1919 in the Central Congregational Church.
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Winnipeg Oratorio Society
Winnipeg Oratorio Society. Founded in 1908 by John J. Moncrieff and others, to provide Winnipeg with a major choir drawn from the city's many church choirs and capable of undertaking large-scale choral works.
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Winnipeg Philharmonic Choir
The Winnipeg Philharmonic Choir, Winnipeg's principal oratorio choir was founded in 1922.
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Winnipeg Symphony Orchestra
Piero Gamba became music director in 1971, a position he held until the fall of 1980. In 1979 he led the WSO in a gala concert at Carnegie Hall. Kazuhiro Koizumi became music director in 1983, and in the 6 years he served with the WSO the orchestra's subscriber base rose to more than 10 000 patrons.
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