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Other collectives at this time included If You're So Good Why Are You in Saskatoon? (1975), directed by Paul Thompson; and Generation and 1/2 (1978), a continuation of the Paper Wheat story of the Wheat Pool.

This film about the clash of cultures is set in New France, circa 1634.

The history of visual artists' groups in Canada is filled with short-lived societies which have had a major influence on both professional and amateur artists.

The Arts Club Theatre, Vancouver, opened in February 1964 with a production called Light Up the Sky. The theatre was established by Otto Lowy, Yvonne Firkin and others on the second floor of a gospel hall at 1181 Seymour Street in Vancouver.

The pre-1914 Austrian-Hungarian Empire created a socio-political mix which has made it difficult to estimate the number (probably close to 50,000 in 1960) of true Austrians in Canada.

From Cronenberg's original story, Network of Blood, and a screenplay that he continually revised up to the final day of shooting, the film Videodrome meditates on sadomasochism, violence and pleasure in our age.

Twentieth-century video art is rooted in 19th-century science. It was the discovery of the cathode ray tube and the electron in 1897 which provided the basis for the electronic reproduction and transmission of images.

City of Gold (1957) is a classic example of the superb work by the National Film Board of Canada's (NFB) acclaimed Unit B Directors Wolf Koenig and Colin Low and editor and producer Tom Daly.

COMUS Music Theatre of Canada. Organization operating 1975-87 in Toronto (its name derived from Milton's Masque of Comus). COMUS was founded by Michael Bawtree, Gabriel Charpentier, and Maureen Forrester, whose aim was to develop and present music theatre works of all kinds in all media.

Three string quartets bearing the name Amati have been based in Canada. Two separate Amati string quartets have performed on 17th-century instruments built by the Amati family of Italy, and owned by the University of Saskatchewan in Saskatoon. A third unrelated Amati String Quartet was based in Ontario, primarily Toronto, from 1985 to 2000.

Powwows are celebrations that showcase Indigenous music, dances, regalia, food and crafts. Commonly hosted by First Nations communities (either on reserve or in urban settings), powwows are often open to non-Indigenous and Métis and Inuit peoples alike. Contemporary powwows originated on the Great Plains during the late 19th century and, since the 1950s, have been growing in size, number and popularity. Powwows serve an important role in many Indigenous peoples’ lives as a forum to visit family and friends, and to celebrate their cultural heritage, while also serving as a site for cross-cultural sharing with other attendees and participants. Indeed, powwows provide the opportunity for visitors to learn about, and increase their awareness of, traditional and contemporary Indigenous life and culture.

Historically, the cradleboard (or cradle board), was used by various Indigenous peoples to protect and carry babies. Securely bound to a thin rectangular board, a baby could be carried on its mother's back or put in a safe location while she performed her daily routine. In some communities, Indigenous peoples still use cradleboards.

Inuksuk (also spelled inukshuk, plural inuksuit) is a figure made of piled stones or boulders constructed to communicate with humans throughout the Arctic. Traditionally constructed by the Inuit, inuksuit are integral to Inuit culture and are often intertwined with representations of Canada and the North. A red inuksuk is found on the flag of Nunavut. In Inuktitut, the term inuksuk means "to act in the capacity of a human." It is an extension of the word inuk meaning "a human being." Inuksuit have been found close to archaeological sites dating from 2400 to 1800 BCE in the Mingo Lake region of southwest Baffin Island. (See also Prehistory.) While stone figures resembling human forms are often referred to as inuksuk, such figures are actually known as inunnguaq.

Canadian Voice of Women for Peace (VOW) is a feminist, non-partisan, non-profit, non-governmental organization founded in 1960. The organization opposes violence and war and promotes nuclear disarmament, peace and social justice. It does so through education, advocacy and strengthening the voices of women. Famous members include politician Thérèse Casgrain, activist Grace Hartman and physicist Ursula Franklin.

Oral histories play an integral role in Indigenous cultures. They transmit important histories, stories and teachings to new generations. Oral histories — a type of primary source — let Indigenous peoples teach about their own cultures in their own words. Other types of primary sources, such as artifacts from historical Indigenous communities, also transmit knowledge about Indigenous histories and ways of life. Academics, researchers and museum curators use such sources to highlight Indigenous perspectives.

Chanson in Quebec. It is through the oral folk tradition, deriving its essential qualities from European folklore, that the Quebec chanson has carved out its privileged position.

Based on an ancient Inuit folktale, Atanarjuat (The Fast Runner) is the first Inuktitut-language feature film ever made. A critically-acclaimed commercial success, it won numerous awards worldwide, including the Camera d’or for best first feature at the Cannes Film Festival and five Genie Awards, including Best Screenplay, Best Direction and Best Motion Picture, as well as the Claude Jutra Award (now the Canadian Screen Award for Best First Feature). It is widely considered one of the best Canadian films ever made, and in 2015 was ranked No. 1 of all time in a poll conducted by the Toronto International Film Festival (see Top 10 Canadian Films of All Time).

Oral history is an account of the past transmitted by word of mouth. It has made important contributions to the ways in which we understand and interpret the past. Today, oral history has become an important field of study. Oral histories are also central to Indigenous cultures, both historical and contemporary. (See also Historical Sources and Indigenous Oral Histories and Primary Sources.)