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Canadian Chamber Ensemble (Stratford Festival Ensemble 1974-6, Stratford Ensemble 1976-80). The ensemble, consisting of 16 principal musicians from the Kitchener-Waterloo Symphony Orchestra (string, wind, and brass quintets and a percussionist), was founded by music director Raffi Armenian in 1974.

Alternative rock band 54-40 rose from the Vancouver punk scene of the late 1970s to achieve mainstream success in Canada in the late 1980s and the 1990s. They have had four platinum albums and one gold album and have been nominated for eight Juno Awards. They are perhaps best known for the hit singles “I Go Blind,” “Baby Ran,” “One Day in Your Life,” “Nice to Luv You,” “She La,” “Ocean Pearl” and “Since When,” among others. The band has been inducted into the BC Entertainment Hall of Fame and the Canadian Music Industry Hall of Fame. “I Go Blind” was inducted into the Canadian Songwriters Hall of Fame in 2021.

Moxy Früvous was an alternative pop-folk quartet from the Toronto suburb of Thornhill which was active from 1990 to 2001. After starting out busking, the band broke through in the early 1990s with a gold and platinum record in Canada, and built a significant cult following of self-identifying “Frü-heads” in the US later in the decade. The group’s quirky wit, upbeat harmonies, political consciousness and unabashed eclecticism were evidenced in such songs as “King of Spain,” “Stuck in the 90s” and “My Baby Loves a Bunch of Authors.”

Broken Social Scene is a Toronto indie rock band formed in Toronto by core members Kevin Drew and Brendan Canning in 1999. They recorded their primarily instrumental album Feel Good Lost with help from a handful of friends.

CBC Radio Orchestra (CBC Vancouver Chamber Orchestra 1938-80; CBC Vancouver Orchestra 1980-2000). Longest-lived regularly performing Canadian radio orchestra, and last remaining radio orchestra in North America.

Electronic group The Halluci Nation (previously known as A Tribe Called Red) has garnered international acclaim for its politically charged, powwow drum-driven dance music. Featuring the DJs Bear Witness (Thomas Ehren Ramon) and 2oolman (Tim Hill), the group emerged from an Ottawa club party called Electric Pow Wow, which began in 2007. Former members include DJ Shub (Dan General), and founding members DJ NDN (Ian Campeau) and Dee Jay Frame (Jon Limoges). The group has described its “powwow step” music as “the soundtrack to a contemporary evolution of the powwow.” ATCR is part of what broadcaster and educator Wab Kinew has called the “Indigenous Music Renaissance,” an innovative new generation of Indigenous artists in Canada. The group was nominated for the Polaris Music Prize in 2013 and 2017, and has won three Juno Awards, including Breakthrough Group of the Year in 2014 and Group of the Year in 2018.

Its affinity for the "roots music" styles of US pop - country, rockabilly, and folk-rock, as well as rock 'n' roll - initially drew Blue Rodeo comparisons to The Band and gave it both a populist and critical appeal.

Blue Rodeo, a rock group, was formed in 1984 by high school friends and songwriters Jim Cuddy and Greg Keelor. After playing as the high-energy pop group the HiFi's and the New York-based Fly to France, Cuddy and Keelor returned to Toronto and recruited self-taught jazz pianist Bobby Wiseman, bass guitarist Bazil Donovan, and drummer Cleave Anderson. Beginning in clubs along their hometown's Queen Street, Blue Rodeo delivered a melodic blend of folk, rock and country marked by Beatle-esque harmonies.

The Vancouver rock band Chilliwack produced some of the most enduring Canadian rock songs of the 1970s and early 1980s, including “Lonesome Mary,” “Fly at Night,” and “My Girl (Gone Gone Gone).” Their catchy, easygoing hooks and bright, melodic style were distinguished by the soaring falsetto and tasteful guitar playing of lead singer and principal songwriter Bill Henderson. In 18 years (1970–88), Chilliwack released 11 albums, four of which were certified platinum in Canada. They also had 19 Canadian singles. The band moved in an increasingly commercial direction through varying styles — from psychedelic, progressive and country rock to adult contemporary and pop rock. They endured multiple changes in labels and band members before achieving success in the United States. The band was inducted into the Canadian Music Hall of Fame in 2019.

The Bach Elgar Choir (BEC) of Hamilton is a large concert choir established in 1946 as an amalgamation of the Elgar Choir (founded in 1905) and the Bach Choir (founded in 1931). The BEC is currently led by artistic director Alexander Cann.

Marc Djokic, musician, violinist (born 29 July 1982 in Halifax, NS). Marc Djokic is one of Canada’s most accomplished violinists. Primarily a chamber musician, he has also performed as a soloist with the Toronto Symphony Orchestra, the National Arts Centre Orchestra and the Quebec Symphony Orchestra. He has played alongside such classical musicians as Beverley Johnston, James Ehnes, Jamie Parker and Measha Brueggergosman. Djokic received the prestigious Prix Goyer in 2017 and was named the concertmaster of the Orchestre classique de Montréal in 2018. He is the son of violinist Philippe Djokic and the brother of cellist Denise Djokic.

Yves Lambert, CM, singer, musician (born 15 September 1956 in Joliette, QC). Yves Lambert rose to fame in Quebec as a founding member of La Bottine souriante. The folk music group had three platinum albums and four gold albums in Canada and won multiple Juno Awards and Félix Awards. Lambert has been credited with popularizing traditional Québécois folk music while also reinventing it. His musical style blends folk music with traditional Quebec, Acadian, Celtic and country music styles. He has been described as a pillar of Quebec’s living heritage. Lambert was named Traditional Singer of the Year at the 2010 Canadian Folk Music Awards and has twice won the Conseil québécois de la musique (Québec Music Council) Opus Award. He was made a Member of the Order of Canada in 2021.

Canada's choirs have contributed significantly to religious, educational, and concert activities within the country, and some have earned high reputations abroad. Choral singing in Canada became immensely popular in the second half of the 19th century, reached its first peak -- unsurpassed, certainly, in the quantity of choristers relative to the total population -- in the years preceding the First World War, and entered a new period of vigour and expansion after the middle of the 20th century.