Search for "Film and Television"

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Richard Williams

Richard Williams (born Richard Lane), animator, producer, writer (born 19 March 1933 in Toronto, ON; died 16 August 2019 in Bristol, England). Richard Williams was born to parents who were illustrators. He was teaching animation to children at his local YMCA by the age of 14. Williams left Northern Secondary School at 15 and travelled to Los Angeles in hopes of meeting Walt Disney. He camped out in front of the Disney Studios until his mother brought him home. Williams was taking courses at the Ontario College of Art (now the Ontario College of Art and Design University) when Jim Mackay and George Dunning of Graphic Associates, Canada’s first private animation company, put the talented youngster on their roster of artists.

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Xavier Dolan

Xavier Dolan (born Xavier Dolan-Tadros), CM, actor, director, writer, producer, editor, costume designer (born 20 March 1989 in Montreal, QC). A precocious practitioner of auteurist art cinema, Xavier Dolan made a meteoric rise from child actor to acclaimed filmmaker. He garnered international acclaim at age 20 for his debut feature, J’ai tué ma mère (I Killed My Mother, 2009). His next four films — Les amours imaginaires (Heartbeats, 2010), Laurence Anyways (2012), Tom à la ferme (Tom at the Farm, 2013) and Mommy (2014) — were all completed by the time he was 25. They won numerous awards and further established him as one of international cinema’s most promising and prolific young filmmakers. His sixth feature film, Juste la fin du monde (It’s Only the End of the World, 2016), won the Grand Prix at the Cannes Film Festival, César Awards for best director and editing, and six Canadian Screen Awards including Best Motion Picture, Adapted Screenplay and Achievement in Direction. Dolan was made a Member of the Order of Canada in 2019.

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Quebec Film History: 1990 to Present

This entry presents an overview of Quebec cinema, from the explosion that followed Denys Arcand’s Le déclin de l’empire américain (1986) to the setback that followed 10 years later and the new wave of filmmaking that emerged at the beginning of the 21st century. It highlights the most important films, whether in terms of box office success or international acclaim, and covers both narrative features and documentaries. It also draws attention to an aspect of filmmaking that still has difficulty finding its place: women's cinema.

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Adam Beach

Adam Reuben Beach, actor, advocate, motivational speaker (born 11 November 1972 in Ashern, MB). Saultreaux actor Adam Beach is one of Canada’s most successful actors of Indigenous descent. After co-starring in Bruce McDonald’s Dance Me Outside (1994) and the American indie hit Smoke Signals (1998), he gave acclaimed lead performances in John Woo’s Windtalkers (2002), Clint Eastwood’s Flags of Our Fathers (2006) and the HBO TV movie Bury My Heart at Wounded Knee (2007). He also starred in such Canadian TV series as The Rez (1996–97), Moose TV (2007) and Arctic Air (2012–14). He is a motivational speaker and an outspoken advocate for Indigenous peoples’ rights. In 2012, he founded the Adam Beach Film Institute, a film school in Winnipeg for Indigenous Youth.

timeline event

Denis Villeneuve Named Filmmaker of the Decade by the Hollywood Critics Association

The Hollywood Critics Association announced that Québécois director Denis Villeneuve would receive their Filmmaker of the Decade Award at a ceremony in Los Angeles on 9 January 2020. Villeneuve’s films Incendies (2010), Prisoners (2013), Enemy (2014), Sicario (2015), Arrival (2016) and Blade Runner 2049 (2017) grossed more than US$678 million worldwide and received a total of 18 Oscar nominations and three Academy Awards.

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Film Distribution in Canada

Film distribution is one of the three main branches of the film industry. It provides the link between film production and exhibition. It is also the most profitable of the three sectors and is dominated by large multinational conglomerates. Film distribution companies supply movies, television programs, videos and new media to outlets such as cinemas and broadcasters. They do so in territories where they have acquired rights from the producers. Traditionally, distribution companies are the prime source for financing new productions. The distribution sector has been called “the invisible art.” Its practices tend to only concern industry insiders and go unnoticed by audiences. American companies dominate film distribution in Canada. They have controlled access to Canadian screens since the 1920s. (See also: Canadian Film History: 1896 to 1938.)

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Canadian Film History: 1896 to 1938

Filmmaking is a powerful form of cultural and artistic expression, as well as a highly profitable commercial enterprise. From a practical standpoint, filmmaking is a business involving large sums of money and a complex division of labour. This labour is involved, roughly speaking, in three sectors: production, distribution and exhibition. The history of the Canadian film industry has been one of sporadic achievement accomplished in isolation against great odds. Canadian cinema has existed within an environment where access to capital for production, to the marketplace for distribution and to theatres for exhibition has been extremely difficult. The Canadian film industry, particularly in English Canada, has struggled against the Hollywood entertainment monopoly for the attention of an audience that remains largely indifferent toward the domestic industry. The major distribution and exhibition outlets in Canada have been owned and controlled by foreign interests. The lack of domestic production throughout much of the industry’s history can only be understood against this economic backdrop.

This article is one of four that surveys the history of the film industry in Canada. The entire series includes: Canadian Film History: 1896 to 1938; Canadian Film History: 1939 to 1973; Canadian Film History: 1974 to Present; Canadian Film History: Notable Films and Filmmakers 1980 to Present.

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Golden Screen Awards

The Cineplex Golden Screen Award for Feature Film (formerly the Golden Reel Award) recognizes the producer(s) of the Canadian feature film that achieved the highest box-office gross in Canada in the previous calendar year. In 2015, the Golden Screen Award for TV Drama/Comedy and the Golden Screen Award for TV Reality Show were introduced to recognize the highest-rated Canadian television programs. The winners are presented at the annual Canadian Screen Awards.

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Canadian Film History: Notable Films and Filmmakers 1980 to Present

Filmmaking is a powerful form of cultural and artistic expression, as well as a highly profitable commercial enterprise. From a practical standpoint, filmmaking is a business involving large sums of money and a complex division of labour. This labour is involved, roughly speaking, in three sectors: production, distribution and exhibition. The history of the Canadian film industry has been one of sporadic achievement accomplished in isolation against great odds. Canadian cinema has existed within an environment where access to capital for production, to the marketplace for distribution and to theatres for exhibition has been extremely difficult. The Canadian film industry, particularly in English Canada, has struggled against the Hollywood entertainment monopoly for the attention of an audience that remains largely indifferent toward the domestic industry. The major distribution and exhibition outlets in Canada have been owned and controlled by foreign interests. The lack of domestic production throughout much of the industry’s history can only be understood against this economic backdrop.

This article is one of four that surveys the history of the film industry in Canada. The entire series includes: Canadian Film History: 1896 to 1938; Canadian Film History: 1939 to 1973; Canadian Film History: 1974 to Present; Canadian Film History: Notable Films and Filmmakers 1980 to Present.

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Quebec Film History: 1970 to 1989

This entry presents an overview of Québec cinema, from the burgeoning of a distinctly Québec cinema in the 1970s, to the production explosion that followed Denys Arcand’s Le déclin de l’empire américain (1986). It highlights the most important films, whether in terms of box office success or international acclaim, and covers both narrative features and documentaries. It also draws attention to an aspect of filmmaking that still has difficulty finding its place: women's cinema.

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Canadian Film History: 1974 to Present

Filmmaking is a powerful form of cultural and artistic expression, as well as a highly profitable commercial enterprise. From a practical standpoint, filmmaking is a business involving large sums of money and a complex division of labour. This labour is involved, roughly speaking, in three sectors: production, distributionand exhibition. The history of the Canadian film industry has been one of sporadic achievement accomplished in isolation against great odds. Canadian cinema has existed within an environment where access to capital for production, to the marketplace for distribution and to theatres for exhibition has been extremely difficult. The Canadian film industry, particularly in English Canada, has struggled against the Hollywood entertainment monopoly for the attention of an audience that remains largely indifferent toward the domestic industry. The major distribution and exhibition outlets in Canada have been owned and controlled by foreign interests. The lack of domestic production throughout much of the industry’s history can only be understood against this economic backdrop.

This article is one of four that surveys the history of the film industry in Canada. The entire series includes: Canadian Film History: 1896 to 1938; Canadian Film History: 1939 to 1973; Canadian Film History: 1974 to Present; Canadian Film History: Notable Films and Filmmakers 1980 to Present.

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Heartland

Heartland is a family drama that airs on CBC TV on Sundays at 7:00 p.m. Based on novels published by Working Partners under the name Lauren Brooke, it premiered in 2007 and is the longest-running one-hour drama in Canadian history. Set on a family ranch called Heartland, the Alberta-shot series follows Amy Fleming’s (Amber Marshall) relationships with her family, with ranch hand Ty Borden (Graham Wardle) and her special abilities as a horse whisperer. Winner of five Directors Guild of Canada Awards for best family television series, Heartland has averaged more than 1 million viewers per episode and is broadcast in more than 100 countries.

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Denis Villeneuve

Denis Villeneuve, filmmaker (born 3 October 1967 in Gentilly, QC). Denis Villeneuve is one of Canada’s best-known and most acclaimed filmmakers. His visually inventive, atmospheric and sombre films frequently focus on themes of trauma, identity and memory. His Canadian films, including the searing psychological dramas Maelström (2000), Polytechnique (2009), Incendies (2010) and Enemy (2013), have won 22 Genie Awards, five Canadian Screen Awards and 26 Prix Iris. His Hollywood films — Prisoners (2013), Sicario (2015) and Arrival (2016) — have enjoyed critical and commercial success. He is the only Québécois filmmaker to receive an Oscar nomination for Best Director. With Blade Runner 2049 (2017) and an upcoming adaption of Frank Herbert’s Dune, Villeneuve has become one of the most sought-after filmmakers in the world. In December 2019, the Hollywood Critics Association named him the Filmmaker of the Decade.

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ACTRA

The Alliance of Canadian Cinema, Television and Radio Artists, better known as ACTRA, is the union that represents performers in Canada’s English-language radio, television and film industries. Through its Performers’ Rights Society, it secures and disburses use fees, royalties, residuals and all other forms of performers’ compensation. Some of ACTRA's other activities include administering health insurance and retirement plans for its 22,000 members, negotiating and administering collective agreements, minimum rates and working conditions, lobbying for Canadian content and a strong Canadian production industry, and promoting and celebrating Canadian talent.

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Canadian Film History: 1939 to 1973

Filmmaking is a powerful form of cultural and artistic expression, as well as a highly profitable commercial enterprise. From a practical standpoint, filmmaking is a business involving large sums of money and a complex division of labour. This labour is involved, roughly speaking, in three sectors: production, distributionand exhibition. The history of the Canadian film industry has been one of sporadic achievement accomplished in isolation against great odds. Canadian cinema has existed within an environment where access to capital for production, to the marketplace for distribution and to theatres for exhibition has been extremely difficult. The Canadian film industry, particularly in English Canada, has struggled against the Hollywood entertainment monopoly for the attention of an audience that remains largely indifferent toward the domestic industry. The major distribution and exhibition outlets in Canada have been owned and controlled by foreign interests. The lack of domestic production throughout much of the industry’s history can only be understood against this economic backdrop.

This article is one of four that surveys the history of the film industry in Canada. The entire series includes: Canadian Film History: 1896 to 1938; Canadian Film History: 1939 to 1973; Canadian Film History: 1974 to Present; Canadian Film History: Regional Cinema and Auteurs, 1980 to Present.

Article

R.H. Thomson

Robert Holmes Thomson, CM, actor, director, playwright (born 24 September 1947 in Richmond Hill, ON). R.H. Thomson is one of Canada’s foremost stage actors. He is also known for his extensive work in television and film, including as Matthew Cuthbert in Anne with an E (2017–19), the CBC/Netflix adaptation of Anne of Green Gables. He has won a Genie Award, two Gemini Awards, a Dora Awardand a Canadian Screen Award, as well as the Governor General’s Performing Arts Awardfor Lifetime Artistic Achievement. Thomson is a passionate advocate for arts and culture in Canada. He was appointed to the Order of Canada in 2010.

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Russell Peters

Russell Dominic Peters, comedian, actor (born September 29, 1970 in Toronto, ON). Russell Peters is one of the most successful comedians in the world. His trademark politically incorrect humour confronts racial stereotypes and draws upon his experience as an Indo-Canadian. His struggles to break through in the United States, combined with his record-breaking success virtually everywhere else, led Chris Rock to call him the “most famous person nobody’s ever heard of.” Peters was named Toronto’s first Global Ambassador in 2008 and was inducted into Canada’s Walk of Fame in 2011. Forbes magazine has listed him among the world’s highest-earning comedians numerous times since 2009.