Search for "Documentary Film"

Displaying 1-20 of 31 results
Article

Quebec Film History: 1970 to 1989

This entry presents an overview of Québec cinema, from the burgeoning of a distinctly Québec cinema in the 1970s, to the production explosion that followed Denys Arcand’s Le déclin de l’empire américain (1986). It highlights the most important films, whether in terms of box office success or international acclaim, and covers both narrative features and documentaries. It also draws attention to an aspect of filmmaking that still has difficulty finding its place: women's cinema.

Article

Canadian Film History: 1974 to Present

Filmmaking is a powerful form of cultural and artistic expression, as well as a highly profitable commercial enterprise. From a practical standpoint, filmmaking is a business involving large sums of money and a complex division of labour. This labour is involved, roughly speaking, in three sectors: production, distribution and exhibition. The history of the Canadian film industry has been one of sporadic achievement accomplished in isolation against great odds. Canadian cinema has existed within an environment where access to capital for production, to the marketplace for distribution and to theatres for exhibition has been extremely difficult. The Canadian film industry, particularly in English Canada, has struggled against the Hollywood entertainment monopoly for the attention of an audience that remains largely indifferent toward the domestic industry. The major distribution and exhibition outlets in Canada have been owned and controlled by foreign interests. The lack of domestic production throughout much of the industry’s history can only be understood against this economic backdrop.

This article is one of four that surveys the history of the film industry in Canada. The entire series includes: Canadian Film History: 1896 to 1938; Canadian Film History: 1939 to 1973; Canadian Film History: 1974 to Present; Canadian Film History: Notable Films and Filmmakers 1980 to Present.

Article

Deepa Mehta

Deepa Mehta, OCOOnt, director, producer, screenwriter (born 1 January 1950 in Amritsar, India). Deepa Mehta has received international acclaim for her moving and provocative films, which often explore issues of human rights and social injustice. She is perhaps best known for her epic “Elements trilogy” — Fire (1996), Earth (1998) and Water (2005). The latter was nominated for an Academy Award for Best Foreign Language Film. Mehta has received the Governor General’s Performing Arts Award for Lifetime Achievement, the Order of Ontario and Queen’s Jubilee Medal. She was made an Officer of the Order of Canada for “challenging cultural traditions and bringing stories of oppression, injustice and violence to the fore.”

Article

Alanis Obomsawin

Alanis Obomsawin, CC, GOQ, filmmaker, singer, artist, storyteller (born 31 August 1932 near Lebanon, New Hampshire). Alanis Obomsawin is one of Canada’s most distinguished documentary filmmakers. She began her career as a professional singer and storyteller before joining the National Film Board (NFB) in 1967. Her award-winning films address the struggles of Indigenous peoples in Canada from their perspective, giving prominence to voices that have long fallen on deaf ears. A Companion of the Order of Canada and a Grand Officer of the Ordre national du Québec, she has received the Prix Albert-Tessier and the Canadian Screen Awards’ Humanitarian Award, as well as multiple Governor General’s Awards, lifetime achievement awards and honorary degrees.

Article

Film Distribution in Canada

Film distribution is one of the three main branches of the film industry. It provides the link between film production and exhibition. It is also the most profitable of the three sectors and is dominated by large multinational conglomerates. Film distribution companies supply movies, television programs, videos and new media to outlets such as cinemas and broadcasters. They do so in territories where they have acquired rights from the producers. Traditionally, distribution companies are the prime source for financing new productions. The distribution sector has been called “the invisible art.” Its practices tend to only concern industry insiders and go unnoticed by audiences. American companies dominate film distribution in Canada. They have controlled access to Canadian screens since the 1920s. (See also: Canadian Film History: 1896 to 1938.)

Article

Richard Williams

Richard Williams (born Richard Lane), animator, producer, writer (born 19 March 1933 in Toronto, ON; died 16 August 2019 in Bristol, England). Richard Williams was born to parents who were illustrators. He was teaching animation to children at his local YMCA by the age of 14. Williams left Northern Secondary School at 15 and travelled to Los Angeles in hopes of meeting Walt Disney. He camped out in front of the Disney Studios until his mother brought him home. Williams was taking courses at the Ontario College of Art (now the Ontario College of Art and Design University) when Jim Mackay and George Dunning of Graphic Associates, Canada’s first private animation company, put the talented youngster on their roster of artists.

Article

Quebec Film History: 1990 to Present

This entry presents an overview of Quebec cinema, from the explosion that followed Denys Arcand’s Le déclin de l’empire américain (1986) to the setback that followed 10 years later and the new wave of filmmaking that emerged at the beginning of the 21st century. It highlights the most important films, whether in terms of box office success or international acclaim, and covers both narrative features and documentaries. It also draws attention to an aspect of filmmaking that still has difficulty finding its place: women's cinema.

Article

Adam Beach

Adam Reuben Beach, actor, advocate, motivational speaker (born 11 November 1972 in Ashern, MB). Saultreaux actor Adam Beach is one of Canada’s most successful actors of Indigenous descent. After co-starring in Bruce McDonald’s Dance Me Outside (1994) and the American indie hit Smoke Signals (1998), he gave acclaimed lead performances in John Woo’s Windtalkers (2002), Clint Eastwood’s Flags of Our Fathers (2006) and the HBO TV movie Bury My Heart at Wounded Knee (2007). He also starred in such Canadian TV series as The Rez (1996–97), Moose TV (2007) and Arctic Air (2012–14). He is a motivational speaker and an outspoken advocate for Indigenous peoples’ rights. In 2012, he founded the Adam Beach Film Institute, a film school in Winnipeg for Indigenous Youth.

Article

Canadian Film History: Notable Films and Filmmakers 1980 to Present

Filmmaking is a powerful form of cultural and artistic expression, as well as a highly profitable commercial enterprise. From a practical standpoint, filmmaking is a business involving large sums of money and a complex division of labour. This labour is involved, roughly speaking, in three sectors: production, distribution and exhibition. The history of the Canadian film industry has been one of sporadic achievement accomplished in isolation against great odds. Canadian cinema has existed within an environment where access to capital for production, to the marketplace for distribution and to theatres for exhibition has been extremely difficult. The Canadian film industry, particularly in English Canada, has struggled against the Hollywood entertainment monopoly for the attention of an audience that remains largely indifferent toward the domestic industry. The major distribution and exhibition outlets in Canada have been owned and controlled by foreign interests. The lack of domestic production throughout much of the industry’s history can only be understood against this economic backdrop.

This article is one of four that surveys the history of the film industry in Canada. The entire series includes: Canadian Film History: 1896 to 1938; Canadian Film History: 1939 to 1973; Canadian Film History: 1974 to Present; Canadian Film History: Notable Films and Filmmakers 1980 to Present.

Article

Canadian Film History: 1896 to 1938

Filmmaking is a powerful form of cultural and artistic expression, as well as a highly profitable commercial enterprise. From a practical standpoint, filmmaking is a business involving large sums of money and a complex division of labour. This labour is involved, roughly speaking, in three sectors: production, distribution and exhibition. The history of the Canadian film industry has been one of sporadic achievement accomplished in isolation against great odds. Canadian cinema has existed within an environment where access to capital for production, to the marketplace for distribution and to theatres for exhibition has been extremely difficult. The Canadian film industry, particularly in English Canada, has struggled against the Hollywood entertainment monopoly for the attention of an audience that remains largely indifferent toward the domestic industry. The major distribution and exhibition outlets in Canada have been owned and controlled by foreign interests. The lack of domestic production throughout much of the industry’s history can only be understood against this economic backdrop.

This article is one of four that surveys the history of the film industry in Canada. The entire series includes: Canadian Film History: 1896 to 1938; Canadian Film History: 1939 to 1973; Canadian Film History: 1974 to Present; Canadian Film History: Notable Films and Filmmakers 1980 to Present.

Article

Golden Screen Awards

The Cineplex Golden Screen Award for Feature Film (formerly the Golden Reel Award) recognizes the producer(s) of the Canadian feature film that achieved the highest box-office gross in Canada in the previous calendar year. In 2015, the Golden Screen Award for TV Drama/Comedy and the Golden Screen Award for TV Reality Show were introduced to recognize the highest-rated Canadian television programs. The winners are presented at the annual Canadian Screen Awards.

Article

Heartland

Heartland is a family drama that airs on CBC TV on Sundays at 7:00 p.m. Based on novels published by Working Partners under the name Lauren Brooke, it premiered in 2007 and is the longest-running one-hour drama in Canadian history. Set on a family ranch called Heartland, the Alberta-shot series follows Amy Fleming’s (Amber Marshall) relationships with her family, with ranch hand Ty Borden (Graham Wardle) and her special abilities as a horse whisperer. Winner of five Directors Guild of Canada Awards for best family television series, Heartland has averaged more than 1 million viewers per episode and is broadcast in more than 100 countries.

Article

Denis Villeneuve

Denis Villeneuve, filmmaker (born 3 October 1967 in Gentilly, QC). Denis Villeneuve is one of Canada’s best-known and most acclaimed filmmakers. His visually inventive, atmospheric and sombre films frequently focus on themes of trauma, identity and memory. His Canadian films, including the searing psychological dramas Maelström (2000), Polytechnique (2009), Incendies (2010) and Enemy (2013), have won 22 Genie Awards, five Canadian Screen Awards and 26 Prix Iris. His Hollywood films — Prisoners (2013), Sicario (2015) and Arrival (2016) — have enjoyed critical and commercial success. He is the only Québécois filmmaker to receive an Oscar nomination for Best Director. With Blade Runner 2049 (2017) and an upcoming adaption of Frank Herbert’s Dune, Villeneuve has become one of the most sought-after filmmakers in the world. In December 2019, the Hollywood Critics Association named him the Filmmaker of the Decade.

Article

Canadian Film History: 1939 to 1973

Filmmaking is a powerful form of cultural and artistic expression, as well as a highly profitable commercial enterprise. From a practical standpoint, filmmaking is a business involving large sums of money and a complex division of labour. This labour is involved, roughly speaking, in three sectors: production, distribution and exhibition. The history of the Canadian film industry has been one of sporadic achievement accomplished in isolation against great odds. Canadian cinema has existed within an environment where access to capital for production, to the marketplace for distribution and to theatres for exhibition has been extremely difficult. The Canadian film industry, particularly in English Canada, has struggled against the Hollywood entertainment monopoly for the attention of an audience that remains largely indifferent toward the domestic industry. The major distribution and exhibition outlets in Canada have been owned and controlled by foreign interests. The lack of domestic production throughout much of the industry’s history can only be understood against this economic backdrop.

This article is one of four that surveys the history of the film industry in Canada. The entire series includes: Canadian Film History: 1896 to 1938; Canadian Film History: 1939 to 1973; Canadian Film History: 1974 to Present; Canadian Film History: Regional Cinema and Auteurs, 1980 to Present.

Article

ACTRA

The Alliance of Canadian Cinema, Television and Radio Artists, better known as ACTRA, is the union that represents performers in Canada’s English-language radio, television and film industries. Through its Performers’ Rights Society, it secures and disburses use fees, royalties, residuals and all other forms of performers’ compensation. Some of ACTRA's other activities include administering health insurance and retirement plans for its 22,000 members, negotiating and administering collective agreements, minimum rates and working conditions, lobbying for Canadian content and a strong Canadian production industry, and promoting and celebrating Canadian talent.

Article

Russell Peters

Russell Dominic Peters, comedian, actor (born September 29, 1970 in Toronto, ON). Russell Peters is one of the most successful comedians in the world. His trademark politically incorrect humour confronts racial stereotypes and draws upon his experience as an Indo-Canadian. His struggles to break through in the United States, combined with his record-breaking success virtually everywhere else, led Chris Rock to call him the “most famous person nobody’s ever heard of.” Peters was named Toronto’s first Global Ambassador in 2008 and was inducted into Canada’s Walk of Fame in 2011. Forbes magazine has listed him among the world’s highest-earning comedians numerous times since 2009.

Article

Peter Mansbridge

Peter Mansbridge, OC, television news anchor, journalist, columnist (born 6 July 1948 in London, England). A widely respected journalist, Peter Mansbridge was the face of CBC News for nearly 30 years. As the chief correspondent and lead anchor of The National from 1988 to 2017, he won 12 Gemini Awards for broadcast excellence, including the Gordon Sinclair Award for best overall broadcast journalist in 1990 and 1998. His other honours include two Canadian Screen Awards as well as numerous honorary degrees and lifetime achievement awards. He has been inducted into the Canadian News Hall of Fame and is an Officer of the Order of Canada.

Article

Seth Rogen

Seth Aaron Rogen, actor, comedian, writer, producer, director (born 15 April 1982 in Vancouver, BC). Seth Rogen is one of Hollywood’s leading comedic stars. He is famous for playing characters that are at once sweetly naïve, slyly intelligent and utterly profane. Initially known for his collaborations with writer-producer Judd Apatow on such films as The 40-Year-Old Virgin (2005), Knocked Up (2007) and Superbad (2007), he eventually began producing and co-directing his own comedies, such as This Is the End (2013) and The Interview (2014). Known as “the stoner king of comedy,” Rogen was named Comedy Star of the Year in 2008 by the US National Association of Theater Owners. He has twice been named Canadian Comedy Person of the Year at the Canadian Comedy Awards.