Search for "Black History"

Displaying 21-40 of 47 results
Article

Hudson’s Bay Point Blanket

The Hudson’s Bay Point Blanket is a wool blanket with a series of stripes and points (markers on cloth) first made for the Hudson’s Bay Company (HBC) in 1779. The most iconic design is that which is white with green, red, yellow and indigo stripes; these colours are now used as an emblem for the HBC. While the HBC was not the first to create the point blanket, the company did popularize it among Indigenous and settler communities in Canada. Today, the design from the blanket is used on a variety of clothing, accessories and household items sold by the HBC.

Article

Jully Black

Jully Ann Inderia Gordon, singer, songwriter, actor, TV personality (born 8 November 1977 in Toronto, ON). Known as “Canada’s Queen of R&B,” Jully Black is an award-winning R&B and soul singer-songwriter. In 2013, CBC Music named her one of the 25 Greatest Canadian Singers Ever. Her rich and soulful alto voice has garnered comparisons to Tina Turner and Amy Winehouse. Her album Revival (2007) was certified gold in Canada and won the Juno Award for R&B/Soul Recording of the Year. She has written songs for Destiny’s Child, Nas, Sean Paul and Missy Elliott, among others, and started her own recording, management and publishing company. Black has appeared on stage in productions of trey anthony’s play Da Kink in My Hair and Tony Kushner and Jeanine Tesori’s Caroline, or Change. She is also a popular television host and panel guest. 

Article

Economic History of Canada

The economic history of what is now Canada begins with the hunting, farming and trading societies of the Indigenous peoples. Following the arrival of Europeans in the 16th century, the economy has undergone a series of seismic shifts, marked by the early Atlantic fishery, the transcontinental fur trade, then rapid urbanization, industrialization and technological change. Although different industries have come and gone, Canada’s reliance on natural resources — from fur to timber to minerals to oil, and on export markets for these commodities, particularly the United States — has underpinned much of the economy through the centuries and does so still in many regions today.

Article

Indian Agents in Canada

Indian agents were the Canadian government’s representatives on First Nations reserves from the 1830s to the 1960s. Often working in isolated locations far from settler communities, Indian agents implemented government policy, enforced and administered the provisions of the Indian Act, and managed the day-to-day affairs of Status Indians. Today, the position of Indian agent no longer exists, as First Nations manage their own affairs through modern band councils or self-government.

Article

Canadian Film History: 1896 to 1938

Filmmaking is a powerful form of cultural and artistic expression, as well as a highly profitable commercial enterprise. From a practical standpoint, filmmaking is a business involving large sums of money and a complex division of labour. This labour is involved, roughly speaking, in three sectors: production, distribution and exhibition. The history of the Canadian film industry has been one of sporadic achievement accomplished in isolation against great odds. Canadian cinema has existed within an environment where access to capital for production, to the marketplace for distribution and to theatres for exhibition has been extremely difficult. The Canadian film industry, particularly in English Canada, has struggled against the Hollywood entertainment monopoly for the attention of an audience that remains largely indifferent toward the domestic industry. The major distribution and exhibition outlets in Canada have been owned and controlled by foreign interests. The lack of domestic production throughout much of the industry’s history can only be understood against this economic backdrop.

This article is one of four that surveys the history of the film industry in Canada. The entire series includes: Canadian Film History: 1896 to 1938; Canadian Film History: 1939 to 1973; Canadian Film History: 1974 to Present; Canadian Film History: Notable Films and Filmmakers 1980 to Present.

Article

Canadian Film History: Notable Films and Filmmakers 1980 to Present

Filmmaking is a powerful form of cultural and artistic expression, as well as a highly profitable commercial enterprise. From a practical standpoint, filmmaking is a business involving large sums of money and a complex division of labour. This labour is involved, roughly speaking, in three sectors: production, distribution and exhibition. The history of the Canadian film industry has been one of sporadic achievement accomplished in isolation against great odds. Canadian cinema has existed within an environment where access to capital for production, to the marketplace for distribution and to theatres for exhibition has been extremely difficult. The Canadian film industry, particularly in English Canada, has struggled against the Hollywood entertainment monopoly for the attention of an audience that remains largely indifferent toward the domestic industry. The major distribution and exhibition outlets in Canada have been owned and controlled by foreign interests. The lack of domestic production throughout much of the industry’s history can only be understood against this economic backdrop.

This article is one of four that surveys the history of the film industry in Canada. The entire series includes: Canadian Film History: 1896 to 1938; Canadian Film History: 1939 to 1973; Canadian Film History: 1974 to Present; Canadian Film History: Notable Films and Filmmakers 1980 to Present.

Article

Denham Jolly

Brandeis Denham Jolly, teacher, entrepreneur, publisher, broadcaster, philanthropist, civil rights activist, community leader (born 26 August 1935 in Industry Cove, Jamaica). Jolly began his business career by purchasing and operating rooming houses and nursing homes. He later purchased and became the publisher of Contrast, a Black community newspaper in Toronto and established FLOW 93.5, the first Black-owned radio station and the first station in Canada to showcase Black music and the stories of the Black community. Jolly also was involved with or founded and led community groups — such as the Black Action Defence Committee — that sought to end police violence targeting young Black men. Jolly also contributed generously to several causes including scholarships for promising young Black Canadians.

Article

Olive Dickason

Olive Patricia Dickason (née Williamson), CM, Métis journalist, historian, university professor, author (born 6 March 1920 in Winnipeg, MB; died 12 March 2011 in Ottawa, ON). Dickason was the first scholar in Canada to receive a PhD in Indigenous history. Her ground-breaking research and books about Indigenous and Métis history and culture transformed how Canadians perceive the origin of their country and Indigenous peoples. Dickason’s work inspired a new generation of scholars, helping to launch Indigenous studies as an area of scholarly research. She received an Order of Canada in recognition of her achievements.

Article

Canadian Film History: 1939 to 1973

Filmmaking is a powerful form of cultural and artistic expression, as well as a highly profitable commercial enterprise. From a practical standpoint, filmmaking is a business involving large sums of money and a complex division of labour. This labour is involved, roughly speaking, in three sectors: production, distribution and exhibition. The history of the Canadian film industry has been one of sporadic achievement accomplished in isolation against great odds. Canadian cinema has existed within an environment where access to capital for production, to the marketplace for distribution and to theatres for exhibition has been extremely difficult. The Canadian film industry, particularly in English Canada, has struggled against the Hollywood entertainment monopoly for the attention of an audience that remains largely indifferent toward the domestic industry. The major distribution and exhibition outlets in Canada have been owned and controlled by foreign interests. The lack of domestic production throughout much of the industry’s history can only be understood against this economic backdrop.

This article is one of four that surveys the history of the film industry in Canada. The entire series includes: Canadian Film History: 1896 to 1938; Canadian Film History: 1939 to 1973; Canadian Film History: 1974 to Present; Canadian Film History: Regional Cinema and Auteurs, 1980 to Present.

Article

Potlatch

The potlatch (from the Chinook word Patshatl) is a ceremony integral to the governing structure, culture and spiritual traditions of various First Nations living on the Northwest Coast and in parts of the interior western subarctic. It primarily functions to redistribute wealth, confer status and rank upon individuals, kin groups and clans, and to establish claims to names, powers and rights to hunting and fishing territories.

Article

James Barry

James Miranda Steuart Barry, FRS (probably born Margaret Anne Bulkley), military surgeon, physician (born c. 1789–99; died 25 July 1865 in London, England). Posted across the British Empire, Barry reformed medical standards in the British army. His final and highest-ranking position was as inspector-general of military hospitals in the Province of Canada in the 1850s. After his death, it was reported that Barry’s assigned sex at birth was female. This has sparked significant debate about his identity.

Note on pronouns: This article refers to James Barry with masculine pronouns, as this was how Barry referred to himself throughout his life.

Click here for definitions of key terms used in this article.

Article

Canadian Film History: 1974 to Present

Filmmaking is a powerful form of cultural and artistic expression, as well as a highly profitable commercial enterprise. From a practical standpoint, filmmaking is a business involving large sums of money and a complex division of labour. This labour is involved, roughly speaking, in three sectors: production, distribution and exhibition. The history of the Canadian film industry has been one of sporadic achievement accomplished in isolation against great odds. Canadian cinema has existed within an environment where access to capital for production, to the marketplace for distribution and to theatres for exhibition has been extremely difficult. The Canadian film industry, particularly in English Canada, has struggled against the Hollywood entertainment monopoly for the attention of an audience that remains largely indifferent toward the domestic industry. The major distribution and exhibition outlets in Canada have been owned and controlled by foreign interests. The lack of domestic production throughout much of the industry’s history can only be understood against this economic backdrop.

This article is one of four that surveys the history of the film industry in Canada. The entire series includes: Canadian Film History: 1896 to 1938; Canadian Film History: 1939 to 1973; Canadian Film History: 1974 to Present; Canadian Film History: Notable Films and Filmmakers 1980 to Present.