Search for "Indigenous Identity"

For some Indigenous peoples, Turtle Island refers to the continent of North America. The name comes from various Indigenous oral histories that tell stories of a turtle that holds the world on its back. For some Indigenous peoples, the turtle is therefore considered an icon of life, and the story of Turtle Island consequently speaks to various spiritual and cultural beliefs.

The Gustafsen Lake Standoff was a month-long conflict (18 August–17 September 1995) between a small group of First Nations Sun Dancers and the Royal Canadian Mounted Police (RCMP). The standoff took place in central British Columbia, in Secwepemc (Shuswap) territory near 100 Mile House. Sparked by a dispute between a local rancher and a camp of Sun Dancers over access to private land for ceremonial purposes, the armed confrontation raised larger questions of Indigenous land rights in British Columbia. On 11 September 1995, in what was later called the largest paramilitary operation in the history of the province, RCMP surrounded the remote camp and a firefight erupted during which, remarkably, no one was seriously injured. The standoff at Gustafsen Lake is perhaps the least known in a series of localized armed conflicts involving Indigenous peoples in the 1990s that included the Oka and Ipperwash crises in Quebec and Ontario, respectively.

Nanabozo (Nanabozho or Nanabush) is a culture hero, creator and trickster of various Indigenous oral histories. He is known by a variety of names and appears prominently in many origin tales. In the modern era, Nanabozo, like other Indigenous culture heroes, has proved useful to Indigenous peoples seeking a return to traditional approaches to learning and storytelling. 

William Ronald Reid, sculptor (born 12 January 1920 in Victoria, BC; died 13 March 1998 in Vancouver, BC). An internationally recognized Haida artist, Bill Reid is frequently credited with the revival and innovative resurgence of Northwest Coast Indigenous arts in the contemporary world. (See also Contemporary Indigenous Art in Canada.)

Oral histories play an integral role in Indigenous cultures. They transmit important histories, stories and teachings to new generations. Oral histories — a type of primary source — let Indigenous peoples teach about their own cultures in their own words. Other types of primary sources, such as artifacts from historical Indigenous communities, also transmit knowledge about Indigenous histories and ways of life. Academics, researchers and museum curators use such sources to highlight Indigenous perspectives.

Historically, the cradleboard (or cradle board), was used by various Indigenous peoples to protect and carry babies. Securely bound to a thin rectangular board, a baby could be carried on its mother's back or put in a safe location while she performed her daily routine. In some communities, Indigenous peoples still use cradleboards.

Throughout much of Canadian history, a First Nations person would lose their Indian status if they were enfranchised. An enfranchised person is someone who has the right to vote in elections. A First Nations person who is deemed a Status Indian has certain rights and benefits granted to them through the Indian Act.

(This article is a plain-language summary of Enfranchisement. If you are interested in reading about this topic in more depth, please see our full-length entry Enfranchisement).

Contemporary Indigenous art is that which has been produced by Indigenous peoples between around 1945 to the present. Since that time, two major schools of Indigenous art have dominated the contemporary scene in Canada:  Northwest Coast Indigenous Art and the Woodlands school of Legend Painters. As well, a more widely scattered group of artists work independently in the context of mainstream Western artand may be described as internationalist in scope and intent.

Contemporary Inuit art has evolved in parallel with contemporary Indigenous art, producing celebrated artists like Zacharias Kunuk and Annie Pootoogook.

The Native People’s Caravan was a cross-country mobile protest that took place in 1974. Its main purpose was to raise awareness about the poor living conditions and discrimination experienced by Indigenous peoples in Canada. It travelled from Vancouver to Ottawa, where the subsequent occupation of a vacant warehouse on Victoria Island, near Parliament Hill, extended into 1975. The caravan brought various Indigenous groups together in protest of broken treaties, as well as a lack of government-supported education, housing and health care. As a result, meetings between Cabinet ministers and Indigenous leaders became more frequent. The protest is remembered as an important turning point in Indigenous activism in Canada.

Aqjangajuk Shaa (Axangayu), Inuit artist (born at Shartoweetuk camp near Cape Dorset, Nunavut 17 March 1937; died 2019).

Lee Maracle, author and critic (born 2 July 1950 in Vancouver, BC).

Prior to the 1960s, only a few periodicals were published for Indigenous people, mainly by non-Indigenous missionary and government organizations. Notable examples were the Chinook-language Kamloops Wawa (1891-1905) and the Inuktitut-language Oblate publications of the 1940s and 1950s.

Carl Ray, Cree artist, illustrator, editor and art teacher (born January 1943 in Sandy Lake, ON; died 26 September 1978 in Sioux Lookout, ON). Ray was known for his innovative paintings in the Woodlands style and was a founding member of the Indian Group of Seven. Ray’s work has influenced Indigenous art in Canada and can be found in the collections of various galleries and museums across the country.

Métis Settlements located across the northern part of Alberta are comprised of the Paddle Prairie, Peavine, Gift Lake, East Prairie, Buffalo Lake, Kikino, Elizabeth and Fishing Lake settlements. These eight settlements form a constitutionally protected Métis land base in Canada.

Jackson Beardy (also known as Quincy Pickering Jackson Beardy), Oji-Cree artist (born 24 July 1944 at Island Lake, MB; died 8 December 1984 in Winnipeg, MB). Beardy was part of the Woodlands School of Indigenous art, and in 1973 he became part of a group of Indigenous artists popularly known as the Indian Group of Seven. His stylized artworks — sometimes painted on canvas, birch bark or beaver skins — were often concerned with the interdependence of humans and nature. They also tended to depict figures from Ojibwe and Cree oral traditions. From the late 1960s to his death in the early 1980s, Beardy promoted Indigenous art as a valid category of contemporary art. His influence as a Woodland artist has contributed to the development of contemporary Indigenous art in Canada.

More than 3,000 years ago, Indigenous peoples of the coast of British Columbia (and adjacent areas of Washington State and southeastern Alaska) such as the Haida and Kwakwaka'wakw developed artistic traditions that are heralded throughout the world for their imaginative and stylistic qualities.

Jody Wilson-Raybould (“Puglaas” or “woman born of noble people” or “woman with integrity” in Kwak’wala), politician, lawyer (born 23 March 1971 in Vancouver, BC). Jody Wilson-Raybould is the independent MP for Vancouver Granville. She was federal minister of justice, attorney general and minister of veterans affairs in the government of Liberal Prime Minister Justin Trudeau. Prior to her career in federal politics, she was a BC crown prosecutor, regional chief of the Assembly of First Nations, and member of the BC Treaty Commission. As Canada’s first Indigenous justice minister, Wilson-Raybould introduced groundbreaking legislation, including Bill C-14 on medically assisted dying, C-16 on gender identity and human rights, and C-45, The Cannabis Act. She has helped to build bridges between First Nations communities and the Canadian government and is committed to helping Indigenous peoples seek self-government and gain equality in education, health care and legal rights.

 In recent years settlement, social and logistic factors have eliminated the nomadic lifestyle in favour of aggregation into permanent settlements which have concentrated around Repulse Bay, Mittimatalik [Pond Inlet], Hall Beach, Arctic Bay and Iglulik, which were formerly centres of trade.

The term Ungava, meaning "towards the open water," was used to designate the Inuit band established at the mouth of the Arnaud (Payne) River.

Social organization was based on kinship and on various types of formal partnership, and affiliation between individuals tended to be more a matter of personal choice than is usually found among other Inuit groups.