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Editorial: The Canadian Flag, Distinctively Our Own
On 15 February 1965, at hundreds of ceremonies across the country and around the world, the red and white Maple Leaf Flag was raised for the first time. In Ottawa, 10,000 people gathered on a chilly, snow-covered Parliament Hill. At precisely noon, the guns on nearby Nepean Point sounded as the sun broke through the clouds. An RCMP constable, 26-year-old Joseph Secours, hoisted the National Flag of Canada to the top of a specially-erected white staff. A sudden breeze snapped it to attention.
Indian Act (Plain-Language Summary)
The Indian Act was created in 1876. The main goal of the Act was to force the First Nations peoples to lose their culture and become like Euro-Canadians. The Indian Act has been changed many times. It does not affect either the Métis or Inuit.
Flag of Canada: Alternate Designs
A national flag is a simple, effective way of identifying a country and expressing its collective will and sovereignty. Its symbolism should be expansive, representing perspectives from across the country. But it should also be singular, offering a picture of unity. For almost a century, Canada did not fly a flag of its own. There were instead the Union Jack and the Canadian Red Ensign. They took turns flying above Parliament. But neither was distinctly Canadian, nor permanent. The issue of a new flag was raised in Parliament in 1925 and again in 1945. It was dropped both times due to a lack of consent. Some clung to tradition, and none could agree on a unifying symbol. When Prime Minister Lester B. Pearson re-opened the debate in 1964, he offered Canadians the chance to “say proudly to the world and to the future: ‘I stand for Canada.’” A joint committee of the Senate and House of Commons was assembled to decide on a suitable design. After months of vigorous debate, the final design was unfurled at Parliament Hill on 15 February 1965. The design process was open to the public. Thousands of suggestions were submitted. This article looks at 12 of those designs. It includes explanations for the symbols found in each. The designs express a vision for Canada, still young and still finding its mode of self-expression.
Peace, Order and Good Government
“Peace, order and good government” is a phrase that is used in section 91 of the British North America Act of 1867 (now called the Constitution Act, 1867). It offers a vague and broad definition of the Canadian Parliament’s lawmaking authority over provincial matters. Since Confederation, it has caused tensions between federal and provincial governments over the distribution of powers. The phrase has also taken on a value of its own with Canadians beyond its constitutional purpose. It has come to be seen as the Canadian counterpart to the American “life, liberty and the pursuit of happiness” and the French “liberty, equality, fraternity.”
Eric Walters’s young adult novel Shattered (2006) tells the story of Ian Blackburn. He is shaken out of his privileged life when he meets Jack, a homeless veteran of the Canadian Armed Forces. A member of the failed United Nations peacekeeping mission to Rwanda, Jack introduces Ian to some of humanity’s darkest moments. Shattered received the 2007 Ontario Library Association’s White Pine Award for best Canadian children’s book and the 2007 National Chapter of Canada International Order of the Daughters of Empire Violet Downey Book Award.
Railway History in Canada
The development of steam-powered railways in the 19th century revolutionized transportation in Canada and was integral to the very act of nation building. Railways played an integral role in the process of industrialization, opening up new markets and tying regions together, while at the same time creating a demand for resources and technology. The construction of transcontinental railways such as the Canadian Pacific Railway opened up settlement in the West, and played an important role in the expansion of Confederation. However, railways had a divisive effect as well, as the public alternately praised and criticized the involvement of governments in railway construction and the extent of government subsidies to railway companies.
The Last Spike
The Last Spike was the final and ceremonial railway spike driven into the Canadian Pacific Railway (CPR) track by company director Donald Smith on the morning of 7 November 1885. The ceremony marked the completion of the transcontinental CPR and was a muted affair at which a group of company officials and labourers gathered at Craigellachie near Eagle Pass in the interior of British Columbia. One of about 30 million iron spikes used in the construction of the line, the Last Spike came to symbolize more than the completion of a railway. Contemporaries and historians have viewed the Last Spike — as well as the iconic photographs of the event — as a moment when national unity was realized.
Vancouver Feature: Fledgling City Incinerated in Minutes
It was a scorching summer day, but a strong breeze was blowing from Burrard Inlet. Workers were burning off timber they had cleared from Canadian Pacific Railway lands. With a sudden gust, the wood frame buildings of tiny Vancouver were aflame. Twenty-five minutes later, there wasn’t much left of the two-month-old city.
Editorial: The Stanley Flag and the “Distinctive Canadian Symbol”
Prime Minister Lester Pearson and John Matheson, one of his Liberal Members of Parliament, are widely considered the fathers of the Canadian flag. Their names were front and centre in 2015 during the tributes and celebrations to mark the 50th anniversary of the flag’s creation. But the role played by George Stanley is often lost in the story of how this iconic symbol came to be.
Acadian Expulsion (the Great Upheaval)
Soldiers rounding up terrified civilians, expelling them from their land, burning their homes and crops ‒ it sounds like a 20th century nightmare in one of the world's trouble spots, but it describes a scene from Canada's early history, the Deportation of the Acadians.
Group of Seven
The Group of Seven, also known as the Algonquin School, was a school of landscape painters. It was founded in 1920 as an organization of self-proclaimed modern artists and disbanded in 1933. The group presented the dense, northern boreal forest of the Canadian Shield as a transcendent, spiritual force. Their depictions of Canada’s rugged wind-swept forest panoramas were eventually equated with a romanticized notion of Canadian strength and independence. Their works were noted for their bright colours, tactile paint handling, and simple yet dynamic forms. In addition to Tom Thomson, David Milne and Emily Carr, the Group of Seven were the most important Canadian artists of the early 20th century. Their influence is seen in artists as diverse as abstract painter Jack Bush, the Painters Eleven, and Scottish painter Peter Doig.
Eric Walters’s novel Run (2003) is a fictionalized account of Terry Fox’s Marathon of Hope. The book follows troubled youth Winston Macdonald, who is inspired to stop running away from his problems after he befriends Fox in 1980. Run is both the first book for young adults and the first fictionalized book about Terry Fox endorsed by the Fox family. Author royalties from the sales of Run are donated to the Terry Fox Foundation. The novel’s audio version received the 2004 Torgi Award for Books in Alternative Formats.
Fatty Legs (2010) is a memoir about a young Inuvialuit girl’s two years at a religious residential school. It is based on the experiences of Margaret Pokiak-Fenton, who cowrote the novel with her daughter-in-law Christy Jordan-Fenton. Published by Annick Press, the book features illustrations by Liz Amini-Holmes and archival photographs from Pokiak-Fenton’s personal collection. Fatty Legs was a finalist for the Sheila A. Egoff Children’s Literature Prize. It received many other nominations and was named one of the 10 best children’s books of the year by the Globe and Mail.
Murdoch Mysteries is a TV series about William Murdoch, a fictional Victorian-era detective who is ahead of his time and uses forensic science and technology to solve Toronto’s most complex crimes. Often referred to as a Victorian-era CSI, the long-running police procedural features a mix of humour, intrigue, science fiction, history and period production values. Based on Maureen Jennings’s successful series of mystery novels, the show attracted a cult following after premiering on City TV in 2008. It garnered a much larger audience after being picked up by the CBC in 2013. It was Canada’s highest-rated scripted television series in 2016, 2017 and 2018, and won the Golden Screen Award in 2017, 2018 and 2020. It is seen by millions of viewers in more than 100 countries.
National Flag of Canada
The National Flag of Canada, also known as the Canadian Flag or the Maple Leaf Flag (l’Unifolié in French), consists of a red field with a white square at its centre in which sits a stylized, 11-pointed red maple leaf. A joint committee of the Senate and House of Commons voted for the present flag in 1964 against formidable odds. After months of debate, the final design, adopted by Parliament and approved by royal proclamation, became Canada’s official national flag on 15 February 1965.
The Conquest of New France
The Conquest (La Conquête) is a term used to describe the acquisition of Canada by Great Britain during the Seven Years’ War. It also refers to the resulting conditions experienced by Canada’s 60,000 to 70,000 French-speaking inhabitants and numerous Indigenous groups. French forces at Quebec City surrendered to British forces on 18 September 1759, a few days after the crucial Battle of the Plains of Abraham. French resistance ended in 1760 with the capitulation of Montreal. In 1763, the Treaty of Paris surrendered New France to Britain. The Royal Proclamation of 1763 introduced assimilative policies that ultimately failed. They were replaced by the provisions of the Quebec Act of 1774. Although it helped spark the American Revolutionary War (1775–83), the Act also granted Canadians enviable conditions that resulted in generations of relative stability.
Representing the Home Front: The Women of the Canadian War Memorials Fund
While they may not have had access to the battlefields, a number of Canadian women artists made their mark on the visual culture of the First World War by representing the home front. First among these were the women affiliated with the Canadian War Memorials Fund, Canada’s first official war art program. Founded in 1916, the stated goal of the Fund was to provide “suitable Memorials in the form of Tablets, Oil-Paintings, etc. […], to the Canadian Heroes and Heroines in the War.” Expatriates Florence Carlyle and Caroline Armington participated in the program while overseas. Artists Henrietta Mabel May, Dorothy Stevens, Frances Loringand Florence Wyle were commissioned by the Fund to visually document the war effort in Canada.