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Canadian Film History: Notable Films and Filmmakers 1980 to Present

Filmmaking is a powerful form of cultural and artistic expression, as well as a highly profitable commercial enterprise. From a practical standpoint, filmmaking is a business involving large sums of money and a complex division of labour. This labour is involved, roughly speaking, in three sectors: production, distribution and exhibition. The history of the Canadian film industry has been one of sporadic achievement accomplished in isolation against great odds. Canadian cinema has existed within an environment where access to capital for production, to the marketplace for distribution and to theatres for exhibition has been extremely difficult. The Canadian film industry, particularly in English Canada, has struggled against the Hollywood entertainment monopoly for the attention of an audience that remains largely indifferent toward the domestic industry. The major distribution and exhibition outlets in Canada have been owned and controlled by foreign interests. The lack of domestic production throughout much of the industry’s history can only be understood against this economic backdrop.

This article is one of four that surveys the history of the film industry in Canada. The entire series includes: Canadian Film History: 1896 to 1938; Canadian Film History: 1939 to 1973; Canadian Film History: 1974 to Present; Canadian Film History: Notable Films and Filmmakers 1980 to Present.

Article

Canadian Film History: 1939 to 1973

Filmmaking is a powerful form of cultural and artistic expression, as well as a highly profitable commercial enterprise. From a practical standpoint, filmmaking is a business involving large sums of money and a complex division of labour. This labour is involved, roughly speaking, in three sectors: production, distributionand exhibition. The history of the Canadian film industry has been one of sporadic achievement accomplished in isolation against great odds. Canadian cinema has existed within an environment where access to capital for production, to the marketplace for distribution and to theatres for exhibition has been extremely difficult. The Canadian film industry, particularly in English Canada, has struggled against the Hollywood entertainment monopoly for the attention of an audience that remains largely indifferent toward the domestic industry. The major distribution and exhibition outlets in Canada have been owned and controlled by foreign interests. The lack of domestic production throughout much of the industry’s history can only be understood against this economic backdrop.

This article is one of four that surveys the history of the film industry in Canada. The entire series includes: Canadian Film History: 1896 to 1938; Canadian Film History: 1939 to 1973; Canadian Film History: 1974 to Present; Canadian Film History: Regional Cinema and Auteurs, 1980 to Present.

Article

Indigenous Oral Histories and Primary Sources

Oral histories play an integral role in Indigenous cultures. They transmit important histories, stories and teachings to new generations. Oral histories — a type of primary source — let Indigenous peoples teach about their own cultures in their own words. Other types of primary sources, such as artifacts from historical Indigenous communities, also transmit knowledge about Indigenous histories and ways of life. Academics, researchers and museum curators use such sources to highlight Indigenous perspectives.

Article

Order-in-Council P.C. 1911-1324 — the Proposed Ban on Black Immigration to Canada

Order-in-Council P.C. 1324 was approved on 12 August 1911 by the Cabinet of Prime Minister Sir Wilfrid Laurier. The purpose of the order was to ban Black persons from entering Canada for a period of one year because, it read, “the Negro race…is deemed unsuitable to the climate and requirements of Canada.” The order-in-council was the culmination of what researcher R. Bruce Shepard has called Canada’s “campaign of diplomatic racism.” Though the order never became law, the actions of government officials made it clear that Black immigrants were not wanted in Canada (see Immigration).

Article

Childbirth in Canada

Childbirth is the beginning of a child’s life and a powerful rite of passage for the mother. Methods vary according to culture and time periods. Before the 19th century, Canadians relied mostly on the help of midwives, as well as prayers and even superstitions, to face the intense pains of contractions. Advances in the field of obstetrics in the 19th and 20th centuries introduced new ways of shortening the length of childbirth and managing its pains. Those developments also resulted in the transition of childbirth from homes to hospitals. Today, the different methods of childbirth can involve the help of physicians, midwives and doulas.

Article

Potlatch

The potlatch (from the Chinook word Patshatl) is a ceremony integral to the governing structure, culture and spiritual traditions of various First Nations living on the Northwest Coast and in parts of the interior western subarctic. It primarily functions to redistribute wealth, confer status and rank upon individuals, kin groups and clans, and to establish claims to names, powers and rights to hunting and fishing territories.

Article

Percy "Junior" Jackson (Primary Source)

Percy “Junior” Jackson enlisted with The North Nova Scotia Highlanders during the Second World War. He served with the Canadian Army from 1944 to 1977. Listen to Jackson’s mission overseas to reunite with his older brother.

Please be advised that Memory Project primary sources may deal with personal testimony that reflect the speaker’s recollections and interpretations of events. Individual testimony does not necessarily reflect the views of the Memory Project and Historica Canada.

Article

Canadian Film History: 1974 to Present

Filmmaking is a powerful form of cultural and artistic expression, as well as a highly profitable commercial enterprise. From a practical standpoint, filmmaking is a business involving large sums of money and a complex division of labour. This labour is involved, roughly speaking, in three sectors: production, distributionand exhibition. The history of the Canadian film industry has been one of sporadic achievement accomplished in isolation against great odds. Canadian cinema has existed within an environment where access to capital for production, to the marketplace for distribution and to theatres for exhibition has been extremely difficult. The Canadian film industry, particularly in English Canada, has struggled against the Hollywood entertainment monopoly for the attention of an audience that remains largely indifferent toward the domestic industry. The major distribution and exhibition outlets in Canada have been owned and controlled by foreign interests. The lack of domestic production throughout much of the industry’s history can only be understood against this economic backdrop.

This article is one of four that surveys the history of the film industry in Canada. The entire series includes: Canadian Film History: 1896 to 1938; Canadian Film History: 1939 to 1973; Canadian Film History: 1974 to Present; Canadian Film History: Notable Films and Filmmakers 1980 to Present.

Article

Leonard Braithwaite (Primary Source)

Leonard Braithwaite served with the Canadian Air Force as a Safety Equipment Operator from 1943 to 1946. However, he was rejected multiple times at a Toronto recruiting station because he was Black. Read and listen to the story of how Braithwaite overcame adversity and served overseas.

Please be advised that Memory Project primary sources may deal with personal testimony that reflect the speaker’s recollections and interpretations of events. Individual testimony does not necessarily reflect the views of the Memory Project and Historica Canada.

Article

Documenting the Second World War

When Canada declared war on Germany on 10 September 1939, tens of thousands of Canadians enlisted to serve in the armynavyair force and supporting services. The military scrambled to buy equipment, train recruits and prepare for war. Little thought was given, at first, to documenting the war effort. By 1940, however, the military was recruiting historians, most notably Charles Stacey, to collect records and write accounts of Canadian operations. In the following years, artists, photographers and filmmakers also served with the various branches of the armed forces. Today, their diligent work provides a rich visual and written catalogue of Canada’s history in the Second World War.

Article

Right to Vote in Canada

The term franchise denotes the right to vote in elections for members of Parliament, provincial legislatures and municipal councils. The Canadian franchise dates from the mid-18th-century colonial period. At that time, restrictions effectively limited the right to vote to male property holders. Since then, voting qualifications and the categories of eligible voters have expanded according to jurisdiction. These changes reflect the evolution of Canada’s social values and constitutional requirements.

Article

Documenting the First World War

The First World War forever changed Canada. Some 630,000 Canadians enlisted from a nation of not yet eight million. More than 66,000 were killed. As the casualties mounted on the Western Front, an expatriate Canadian, Sir Max Aitken (Lord Beaverbrook), organized a program to document Canada’s war effort through art, photography and film. This collection of war art, made both in an official capacity and by soldiers themselves, was another method of forging a legacy of Canada’s war effort.