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“O Canada”

“O Canada” is Canada’s national anthem. Originally called “Chant national,” it was written in Québec City by Sir Adolphe-Basile Routhier (words in French) and composer Calixa Lavallée (music), and first performed there on 24 June 1880. It began to be sung widely in French Canada at that time and later spread across Canada in various English-language versions, of which the best-known was written by Robert Stanley Weir in 1908. The lyrics of this version were amended several times over the years, with the most recent changes occurring in February 2018; the French lyrics have been shortened but otherwise remain unaltered from the original. “O Canada” was approved as Canada’s national anthem by a Special Joint Committee of the Senate and House of Commons on 15 March 1967. It was officially adopted as Canada’s national anthem under the National Anthem Act on 27 June 1980. The Act was proclaimed by Governor General Edward Schreyer in a public ceremony on Parliament Hill on 1 July 1980.

Article

1972 Canada-Soviet Hockey Series (Summit Series)

For many Canadians, the eight-game series between Team Canada and the national team of the Soviet Union in 1972 provided the greatest moment in the country’s sporting history. Most expected that Canada would handily defeat the Soviet Union, but this confidence quickly disappeared when Canada lost the first game. The series was tied heading into the final game in Moscow, which ended in a dramatic fashion, with Paul Henderson scoring in the final seconds to give Canada the victory. The series would have a lasting impact on hockey in Canada and abroad.

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Film Distribution in Canada

Film distribution is one of the three main branches of the film industry. It provides the link between film production and exhibition. It is also the most profitable of the three sectors and is dominated by large multinational conglomerates. Film distribution companies supply movies, television programs, videos and new media to outlets such as cinemas and broadcasters. They do so in territories where they have acquired rights from the producers. Traditionally, distribution companies are the prime source for financing new productions. The distribution sector has been called “the invisible art.” Its practices tend to only concern industry insiders and go unnoticed by audiences. American companies dominate film distribution in Canada. They have controlled access to Canadian screens since the 1920s. (See also: Canadian Film History: 1896 to 1938.)

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Massey Commission

The Massey Commission was formally known as the Royal Commission on National Development in the Arts, Letters and Sciences. It was officially appointed by Prime Minister Louis St-Laurent on 8 April 1949. Its purpose was to investigate the state of arts and culture in Canada. Vincent Massey chaired the Commission. It issued its landmark report, the Massey Report, on 1 June 1951. The report advocated for the federal funding of a wide range of cultural activities. It also made a series of recommendations that resulted in the founding of the National Library of Canada (now Library and Archives Canada), the creation of the Canada Council for the Arts, federal aid for universities, and the conservation of Canada’s historic places, among other initiatives. The recommendations that were made by the Massey Report, and enacted by the federal government, are generally seen as the first major steps to nurture, preserve and promote Canadian culture.

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Canadian Film History: 1974 to Present

Filmmaking is a powerful form of cultural and artistic expression, as well as a highly profitable commercial enterprise. From a practical standpoint, filmmaking is a business involving large sums of money and a complex division of labour. This labour is involved, roughly speaking, in three sectors: production, distribution and exhibition. The history of the Canadian film industry has been one of sporadic achievement accomplished in isolation against great odds. Canadian cinema has existed within an environment where access to capital for production, to the marketplace for distribution and to theatres for exhibition has been extremely difficult. The Canadian film industry, particularly in English Canada, has struggled against the Hollywood entertainment monopoly for the attention of an audience that remains largely indifferent toward the domestic industry. The major distribution and exhibition outlets in Canada have been owned and controlled by foreign interests. The lack of domestic production throughout much of the industry’s history can only be understood against this economic backdrop.

This article is one of four that surveys the history of the film industry in Canada. The entire series includes: Canadian Film History: 1896 to 1938; Canadian Film History: 1939 to 1973; Canadian Film History: 1974 to Present; Canadian Film History: Notable Films and Filmmakers 1980 to Present.

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Hockey Night in Canada

Hockey Night in Canada (HNIC) is a weekly Saturday night broadcast of National Hockey League (NHL) games. It is Canada’s longest-running television program and the Guinness World Record holder as the longest-running TV sports program. It was first broadcast on the radio in Montreal and Toronto as General Motors Hockey Broadcast on 12 November 1931, with play-by-play by iconic sports broadcaster Foster Hewitt. The first televised airing of HNIC — one of Canada’s earliest television broadcasts — was on 11 October 1952. The program was produced by the CBC from 1936 until 2013, when the rights to broadcast NHL games were acquired by Rogers Communications. A staple of Canadian television for more than half a century, HNIC has long been the country’s highest-rated series. It regularly averaged more than 2 million viewers for decades. Recent seasons have averaged around 1.3 million viewers per episode. The theme music is seen by many as Canada’s second national anthem. The series has won 21 Gemini Awards and three Canadian Screen Awards.