Search for "Indigenous Culture"

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Nanabozo

Nanabozo (Nanabozho or Nanabush) is a culture hero, creator and trickster of various Indigenous oral histories. He is known by a variety of names and appears prominently in many origin tales. In the modern era, Nanabozo, like other Indigenous culture heroes, has proved useful to Indigenous peoples seeking a return to traditional approaches to learning and storytelling. 

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Powwows in Canada

Powwows are celebrations that showcase Indigenous music, dances, regalia, food and crafts. Commonly hosted by First Nations communities (either on reserve or in urban settings), powwows are often open to non-Indigenous and Métis and Inuit peoples alike. Contemporary powwows originated on the Great Plains during the late 19th century and, since the 1950s, have been growing in size, number and popularity. Powwows serve an important role in many Indigenous peoples’ lives as a forum to visit family and friends, and to celebrate their cultural heritage, while also serving as a site for cross-cultural sharing with other attendees and participants. Indeed, powwows provide the opportunity for visitors to learn about, and increase their awareness of, traditional and contemporary Indigenous life and culture.

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Indigenous Elders in Canada

Elders are respected individuals who play key roles in Indigenous communities. They are important knowledge keepers, and they also help to ensure cultural continuity. As living connections to the past, Elders serve as teachers, healers, advisors and counsellors. Elder knowledge is culturally specific, meaning Anishinaabeg teachings, for example, are not necessarily Haudenosaunee teachings. However, Elders share some commonalities; for instance, spirituality and tradition shape their lives as well as the guidance they provide to others.

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Inuksuk (Inukshuk)

Inuksuk (also spelled inukshuk, plural inuksuit) is a figure made of piled stones or boulders constructed to communicate with humans throughout the Arctic. Traditionally constructed by the Inuit, inuksuit are integral to Inuit culture and are often intertwined with representations of Canada and the North. A red inuksuk is found on the flag of Nunavut. In Inuktitut, the term inuksuk means "to act in the capacity of a human." It is an extension of the word inuk meaning "a human being." Inuksuit have been found close to archaeological sites dating from 2400 to 1800 BCE in the Mingo Lake region of southwest Baffin Island. (See also Prehistory.) While stone figures resembling human forms are often referred to as inuksuk, such figures are actually known as inunnguaq.

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Cowichan Sweater

The Cowichan sweater is a garment created in North America with a distinctly patterned design knitted out of bulky-weighted yarn. It originated during the late 19th century among the Cowichan, a Coast Salish people in British Columbia. Historically also called the Indian sweater or Siwash sweater (a derogatory Chinook word for Indigenous people), the Cowichan people reclaimed the name after the 1950s as a means of emphasizing their claim to the garment. The popularity of the sweater by the mid-1900s thrust Cowichan sweaters into the world of international fashion, where they have been appropriated by non-Indigenous designers. Nevertheless, several knitters from various Coast Salish communities around Vancouver Island and the mainland of British Columbia continue to create and sell authentic sweaters. In 2011, the Canadian government recognized Cowichan knitters and sweaters as nationally and historically significant.

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Sun Dance

The Sun Dance (also Sundance) is an annual Plains Indigenous cultural ceremony performed in honour of the sun, during which participants prove bravery by overcoming pain. Historically, the ceremony took place at midsummer when bands congregated at a predetermined location. The Sun Dance was forbidden under the Indian Act of 1895, but this ban was generally ignored and dropped from the Act in 1951. Some communities continue to celebrate the ceremony today.

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Canadian Sports History

Sports have a long history in Canada, from early Indigenous games (e.g., baggataway) to more recent sports such as snowboarding and kitesurfing. Officially, Canada has two national sports: lacrosse (summer) and hockey (winter).

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Cultural Appropriation of Indigenous Peoples in Canada

Cultural appropriation is the use of a people’s traditional dress, music, cuisine, knowledge and other aspects of their culture, without their approval, by members of a different culture. For Indigenous peoples in Canada, cultural appropriation is rooted in colonization and ongoing oppression. Indigenous peoples have seen culturally significant symbols and motifs used in non-Indigenous goods, marketing and art. They have also seen stereotypical images of “Indians” used in sports logos and the sale of various products.

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Cradleboard

Historically, the cradleboard (or cradle board), was used by various Indigenous peoples to protect and carry babies. Securely bound to a thin rectangular board, a baby could be carried on its mother's back or put in a safe location while she performed her daily routine. In some communities, Indigenous peoples still use cradleboards.

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Indigenous Oral Histories and Primary Sources

Oral histories play an integral role in Indigenous cultures. They transmit important histories, stories and teachings to new generations. Oral histories — a type of primary source — let Indigenous peoples teach about their own cultures in their own words. Other types of primary sources, such as artifacts from historical Indigenous communities, also transmit knowledge about Indigenous histories and ways of life. Academics, researchers and museum curators use such sources to highlight Indigenous perspectives.

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Shingoose

Shingoose (also Curtis Jonnie), Ojibwe singer-songwriter, guitarist, folk musician, Indigenous activist (born on 26 October 1946 in Winnipeg, MB; died on 12 January 2021 in Winnipeg, MB). Shingoose rose to popularity in Canada and the US in the late 1960s. A well-respected musician, Shingoose was also a strong advocate of Indigenous issues and strove to highlight Indigenous culture on the world stage. (See also Music of Indigenous Peoples in Canada.)

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Anishinaabe

Anishinaabe (other variants include Anishinabe, Anicinape, Nishnaabe, Neshnabé and Anishinabek) refers to a group of culturally and linguistically related First Nations that live in both Canada and the United States, concentrated around the Great Lakes. The Anishinaabeg (plural form of Anishinaabe) live from the Ottawa River Valley west across Northern Ontario and to the plains of Saskatchewan south to the northeast corner of North Dakota, northern Minnesota and Michigan, as well as the northern shores of Lakes Ontario and Erie. The Ojibwe, Chippewa, Odawa, Potawatomi, Algonquin, Saulteaux, Nipissing and Mississauga First Nations are Anishinaabeg. Some Oji-Cree First Nations and Métis also include themselves within this cultural-linguistic grouping. (See also Indigenous Peoples in Canada.)

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Two-Spirit

​Two-Spirit, a translation of the Anishinaabemowin term niizh manidoowag, refers to a person who embodies both a masculine and feminine spirit. Activist Albert McLeod developed the term in 1990 to broadly reference Indigenous peoples in the lesbian, gay, bisexual, transgender and queer (LGBTQ) community. Two-spirit is used by some Indigenous peoples to describe their gender, sexual and spiritual identity. (See also Lesbian, Gay, Bisexual and Transgender Rights in Canada.)

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Indigenous Language Revitalization in Canada

Before European settlement in Canada, Indigenous peoples spoke a wide variety of languages. As a means of assimilating Indigenous peoples, colonial policies like the Indian Act and residential schools forbid the speaking of Indigenous languages. These restrictions have led to the ongoing endangerment of Indigenous languages in Canada. In 2016, Statistics Canada reported that for about 40 Indigenous languages in Canada, there are only about 500 speakers or less. Indigenous communities and various educational institutions have taken measures to prevent more language loss and to preserve Indigenous languages.

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Lawrence Paul Yuxweluptun

Lawrence Paul Yuxweluptun, Coast Salish and Okanagan (see Interior Salish) artist and activist (born in 1957 at Kamloops, British Columbia). Yuxweluptun trained at the Emily Carr College of Art (now the Emily Carr University of Art and Design) in the late 1970s and early 1980s, focusing on historical European art. His paintings employ both traditional Northwest Coast imagery (see Northwest Coast Indigenous Art) and surrealist visual language to critique colonialism, racism against Indigenous peoples, capitalism, and environmental destruction, among other issues. In addition to paintings, Yuxweluptun has produced multimedia artworks, videos and performances that are political in nature. In 2013, Yuxweluptun was awarded a Fellowship at the Eiteljorg Museum of American Indians and Western Art in Indianapolis, USA. Yuxweluptun’s art is featured in the permanent collections of many prominent galleries and museums in North America.

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