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Mary Matilda Hamilton (née Riter), artist (born 7 September c. 1867 in Teeswater, ON; died 5 April 1954 in Coquitlam, BC). Mary Riter Hamilton was a painter who exhibited her works in Europe and across Canada. Shortly after the fighting stopped, Hamilton travelled to Europe to paint First World War battlefield landscapes before they were cleared (see War Artists). She produced over 350 works in three years, which are a document of the destruction and devastation caused by the war.

While they may not have had access to the battlefields, a number of Canadian women artists made their mark on the visual culture of the First World War by representing the home front. First among these were the women affiliated with the Canadian War Memorials Fund, Canada’s first official war art program. Founded in 1916, the stated goal of the Fund was to provide “suitable Memorials in the form of Tablets, Oil-Paintings, etc. […], to the Canadian Heroes and Heroines in the War.” Expatriates Florence Carlyle and Caroline Armington participated in the program while overseas. Artists Henrietta Mabel May, Dorothy Stevens, Frances Loringand Florence Wyle were commissioned by the Fund to visually document the war effort in Canada.

Canadian painting in the 19th century tended towards the pastoral. It depicted idyllic scenes of rural life and represented the country as a wondrous Eden. Canadian painter Homer Watson, under the influence of such American masters as Frederic Edwin Church and Albert Bierstadt, created images that are serene and suffused with golden light. In On the Mohawk River (1878), for instance, a lazy river ambles between tall, overhanging trees; in the background is a light-struck mountain. In Watson’s world, nature is peaceful, unthreatening and perhaps even sacred.

Since the First World War, there have been four major initiatives to allow Canadian artists to document Canadian Armed Forcesat war. Canada’s first official war art program, the Canadian War Memorials Fund (1916–19), was one of the first government-sponsored programs of its kind. It was followed by the Canadian War Art Program (1943–46) during the Second World War. The Canadian Armed Forces Civilian Artists Program (1968–95) and the Canadian Forces Artists Program (2001–present) were established to send civilian artists to combat and peacekeepingzones. Notable Canadian war artists have included A.Y. Jackson, F.H. Varley, Lawren Harris, Alex Colville and Molly Lamb Bobak.

Molly Joan Bobak, née Lamb, CM, ONB, RCA, artist, teacher (born 25 February 1920 in Vancouver, BC; died 1 March 2014 in Fredericton, NB). Molly Lamb Bobak joined the Canadian Women’s Army Corps in 1942. In 1945, she became the first woman to be named an official Canadian war artist. She led workshops across Canada, gave live art lessons on television and served on many boards and arts councils. She was a member of the Royal Canadian Academy of Arts and received honorary degrees from the University of New Brunswick, Mount Allison University and St. Thomas University. She was appointed to the  Order of Canada in 1995 and to the Order of New Brunswick in 2002.  

Margaret Alberta Corbett Ecker, journalist (born 1915 in Edmonton, AB; died 3 April 1965 in Ibiza, Spain). Margaret Ecker was an award-winning newspaper and magazine writer. She was the only woman to serve overseas as a war correspondent for the Canadian Press wire service during the Second World War. She was also the only woman present at Germany’s unconditional surrender in 1945. Ecker was made an officer of the Netherlands’ House of the Orange Order in 1947, making her the first Canadian woman to receive that honour.

When Canada declared war on Germany on 10 September 1939, tens of thousands of Canadians enlisted to serve in the army, navy,  air force and supporting services. The military scrambled to buy equipment, train recruits and prepare for war. Little thought was given, at first, to documenting the war effort. By 1940, however, the military was recruiting historians, most notably Charles Stacey, to collect records and write accounts of Canadian operations. In the following years, artists, photographers and filmmakers also served with the various branches of the armed forces. Today, their diligent work provides a rich visual and written catalogue of Canada’s history in the Second World War.

The First World War forever changed Canada. Some 630,000 Canadians enlisted from a nation of not yet eight million. More than 66,000 were killed. As the casualties mounted on the Western Front, an expatriate Canadian, Sir Max Aitken (Lord Beaverbrook), organized a program to document Canada’s war effort through art, photography and film. This collection of war art, made both in an official capacity and by soldiers themselves, was another method of forging a legacy of Canada’s war effort.

Callixte Lavallée, composer, pianist, conductor, teacher, administrator, soldier (born 28 December 1842 in Verchères, Canada East; died 21 January 1891 in Boston, Massachusetts). A pioneer in music both in Canada and the United States, Calixa Lavallée was considered one of the “national glories” of Quebec. He is best known for composing the music for “O Canada” and was twice president of the Académie de musique de Québec. Despite this vaunted stature, he spent much of his life outside Canada, served with the Union Army during the American Civil War and called for Canada to be annexed by the United States. The Prix de musique Calixa-Lavallée, awarded by the St-Jean-Baptiste Society of Montreal for outstanding contributions to the music of Quebec, is named in his honour.

Deborah Cottnam (née How), teacher, poet and Loyalist (born in c. 1727, probably in Marblehead, Massachusetts; raised in Grassy Island, Canso, Nova Scotia; died 31 December 1806 in Windsor, Nova Scotia). Poet and educator Deborah How Cottnam established highly respected women’s schools in the Maritimes.