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Plateau Indigenous Peoples in Canada

There are six cultural areas contained in what is now Canada, unrestricted by international boundaries. The Plateau cultural area consists of the high plateau between the British Columbia coastal mountains and the Rocky Mountains, and extends south to include parts of Washington State, Oregon, Idaho, and Montana. At lower elevations it is comprised of grasslands and subarctic forests. The Plateau peoples include, among others, the Secwepemc, Stl’atl’imc, Ktunaxa, and Tsilqot’in.

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Turtle Island

For some Indigenous peoples, Turtle Island refers to the continent of North America. The name comes from various Indigenous oral histories that tell stories of a turtle that holds the world on its back. For some Indigenous peoples, the turtle is therefore considered an icon of life, and the story of Turtle Island consequently speaks to various spiritual and cultural beliefs.

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Gustafsen Lake Standoff

The Gustafsen Lake Standoff was a month-long conflict (18 August–17 September 1995) between a small group of First Nations Sun Dancers and the Royal Canadian Mounted Police (RCMP). The standoff took place in central British Columbia, in Secwepemc (Shuswap) territory near 100 Mile House. Sparked by a dispute between a local rancher and a camp of Sun Dancers over access to private land for ceremonial purposes, the armed confrontation raised larger questions of Indigenous land rights in British Columbia. On 11 September 1995, in what was later called the largest paramilitary operation in the history of the province, RCMP surrounded the remote camp and a firefight erupted during which, remarkably, no one was seriously injured. The standoff at Gustafsen Lake is perhaps the least known in a series of localized armed conflicts involving Indigenous peoples in the 1990s that included the Oka and Ipperwash crises in Quebec and Ontario, respectively.

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Nanabozo

Nanabozo (Nanabozho or Nanabush) is a culture hero, creator and trickster of various Indigenous oral histories. He is known by a variety of names and appears prominently in many origin tales. In the modern era, Nanabozo, like other Indigenous culture heroes, has proved useful to Indigenous peoples seeking a return to traditional approaches to learning and storytelling. 

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Powley Case

R. v. Powley was a legal case concerning Métis hunting rights in Canada. In 1993, the province of Ontario charged Steve and Roddy Powley with illegal hunting. The Powleys disputed their conviction, arguing that the Aboriginal rights enshrined in section 35 of the Constitution Act, 1982 protected their hunting rights as Métis people. The case concluded in 2003, when the Supreme Court of Canada ruled that the Powleys were, in fact, exercising lawful Métis hunting rights. The Powley case established criteria on who can legally qualify for Métis rights. It outlined 10 specific criteria, known as the Powley Test, which applies to Métis communities across Canada. The case also clarified that the Métis are a distinct people, separate from First Nations and Inuit peoples in Canada. Some legal experts believe the Powley case might lead to expanded Métis rights, including harvesting and fishing rights and possibly self-government.

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Indigenous Oral Histories and Primary Sources

Oral histories play an integral role in Indigenous cultures. They transmit important histories, stories and teachings to new generations. Oral histories — a type of primary source — let Indigenous peoples teach about their own cultures in their own words. Other types of primary sources, such as artifacts from historical Indigenous communities, also transmit knowledge about Indigenous histories and ways of life. Academics, researchers and museum curators use such sources to highlight Indigenous perspectives.

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Cradleboard

Historically, the cradleboard (or cradle board), was used by various Indigenous peoples to protect and carry babies. Securely bound to a thin rectangular board, a baby could be carried on its mother's back or put in a safe location while she performed her daily routine. In some communities, Indigenous peoples still use cradleboards.

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Contemporary Indigenous Art in Canada

Contemporary Indigenous art is that which has been produced by Indigenous peoples between around 1945 to the present. Since that time, two major schools of Indigenous art have dominated the contemporary scene in Canada:  Northwest Coast Indigenous Art and the Woodlands school of Legend Painters. As well, a more widely scattered group of artists work independently in the context of mainstream Western artand may be described as internationalist in scope and intent.

Contemporary Inuit art has evolved in parallel with contemporary Indigenous art, producing celebrated artists like Zacharias Kunuk and Annie Pootoogook.

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Dorothy Lutz (Primary Source)

At the age of 16, Dorothy Lutz served in the Second World War as an electrical welder in the Halifax shipyards. During the Second World War, Lutz and millions of women worked with military machinery and equipment. Listen to Lutz’ achievements as a trailblazer on the home front.

Please be advised that Memory Project primary sources may deal with personal testimony that reflect the speaker’s recollections and interpretations of events. Individual testimony does not necessarily reflect the views of the Memory Project and Historica Canada.

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Pauline Johnson (Tekahionwake)

Emily Pauline Johnson (a.k.a. Tekahionwake, “double wampum”) poet, writer, artist, performer (born 10 March 1861 on the Six Nations Reserve, Canada West; died 7 March 1913 in VancouverBC). Pauline Johnson was one of North America’s most notable entertainers of the late 19th century. A mixed-race woman of Mohawk and European descent, she was a gifted writer and poised orator. She toured extensively, captivating audiences with her flair for the dramatic arts. Johnson made important contributions to Indigenous and Canadian oral and written culture. She is listed as a Person of National Historic Significance and her childhood home is a National Historic Site and museum. A monument in Vancouver’s Stanley Park commemorates her work and legacy. In 2016, she was one of 12 Canadian women in consideration to appear on a banknote. (See Women on Canadian Banknotes.)

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Carl Ray

Carl Ray, Cree artist, illustrator, editor and art teacher (born January 1943 in Sandy Lake, ON; died 26 September 1978 in Sioux Lookout, ON). Ray was known for his innovative paintings in the Woodlands style and was a founding member of the Indian Group of Seven. Ray’s work has influenced Indigenous art in Canada and can be found in the collections of various galleries and museums across the country.

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Métis Settlements

Métis Settlements located across the northern part of Alberta are comprised of the Paddle Prairie, Peavine, Gift Lake, East Prairie, Buffalo Lake, Kikino, Elizabeth and Fishing Lake settlements. These eight settlements form a constitutionally protected Métis land base in Canada.

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Jackson Beardy

Jackson Beardy (also known as Quincy Pickering Jackson Beardy), Oji-Cree artist (born 24 July 1944 at Island Lake, MB; died 8 December 1984 in Winnipeg, MB). Beardy was part of the Woodlands School of Indigenous art, and in 1973 he became part of a group of Indigenous artists popularly known as the Indian Group of Seven. His stylized artworks — sometimes painted on canvas, birch bark or beaver skins — were often concerned with the interdependence of humans and nature. They also tended to depict figures from Ojibwe and Cree oral traditions. From the late 1960s to his death in the early 1980s, Beardy promoted Indigenous art as a valid category of contemporary art. His influence as a Woodland artist has contributed to the development of contemporary Indigenous art in Canada.

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Northwest Coast Indigenous Art

More than 3,000 years ago, Indigenous peoples of the coast of British Columbia (and adjacent areas of Washington State and southeastern Alaska) such as the Haida and Kwakwaka'wakw developed artistic traditions that are heralded throughout the world for their imaginative and stylistic qualities.

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Iglulingmuit

 In recent years settlement, social and logistic factors have eliminated the nomadic lifestyle in favour of aggregation into permanent settlements which have concentrated around Repulse Bay, Mittimatalik [Pond Inlet], Hall Beach, Arctic Bay and Iglulik, which were formerly centres of trade.

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Inuinnait (Copper Inuit)

Social organization was based on kinship and on various types of formal partnership, and affiliation between individuals tended to be more a matter of personal choice than is usually found among other Inuit groups.

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