For Canada, Asia does not exist “over there.” It is, has been, and will continue to be, right here, contributing to and shaping our country. Canada’s citizenry includes over 7.5 million people — almost 22 per cent of the population — who were born outside Canada. Recent immigrants to this country are more likely to have come from Asia and the Middle East than from Europe. Chinese ancestry, East Indian ancestry and Filipino ancestry are among the 20 most common ancestries reported by the Canadian population. (Census of Canada, 2016).
Archaeology is a historical science aimed at the discovery and understanding of past human behaviour through the study of material remains. Archaeologists draw the bulk of their information from physical artifacts left at locations where people lived, worked, visited and were buried long ago. The Canadian Encyclopedia features articles on many of the country’s archaeological sites, organized here by the provinces and territories in which they are found.
The Juno Beach Centre (JBC) is a Canadian museum located in Courseulles-sur-Mer, France. It is situated behind Juno Beach, the Allied code name for a 10 km stretch of French coastline assaulted by Canadian forces on D-Day, 6 June 1944, during the Second World War. Opened by a group of veterans and volunteers in 2003, the museum is a memorial and education centre dedicated to commemorating the role of Canadians in the Second World War. It is privately owned and operated by the Canadian non-profit Juno Beach Centre Association (JBCA), which offers historical and educational programming across Canada.
Embracing modern and post-modern elements, the austere limestone building embodies long-standing interests of Lambert: the refined, classical modernism of her first mentor, Mies van der Rohe; Montréal's old greystone architecture and property divisions; and repair of the urban fabric.
The potlatch (from the Chinook word Patshatl) is a ceremony integral to the governing structure, culture and spiritual traditions of various First Nations living on the Northwest Coast and in parts of the interior western subarctic. It primarily functions to redistribute wealth, confer status and rank upon individuals, kin groups and clans, and to establish claims to names, powers and rights to hunting and fishing territories.
This Hour Has 22 Minutes, also known as 22 Minutes, is a sketch comedy and satirical news show that has aired on CBC TV since 1993. A forerunner of the mock-newscast format popularized by The Daily Show with Jon Stewart, it has averaged as many as 1 million viewers per episode and has remained one of the CBC’s highest-rated shows throughout its run. It was developed by CODCO members Mary Walsh and Cathy Jones along with producers Michael Donovan, Jack Kellum, Gerald Lunz and George Anthony. Over the years, the show has featured such comedians as Rick Mercer, Greg Thomey, Colin Mochrie, Mark Critch, Gavin Crawford, Shaun Majumder, Geri Hall, Nathan Fielder and Susan Kent. The series has won 28 Gemini Awards, 20 Canadian Comedy Awards, 5 Writers Guild of Canada Awards and the Academy Icon Award at the 2016 Canadian Screen Awards.
The Canadian Museum of Contemporary Photography, located in the nation's capital, is Canada's only federal institution devoted solely to the collection, exhibition and promotion of the photographic medium. As such, it is the country's foremost advocate of artistic and documentary photography.
in the Tyrrell's 4,400 square metres of display space celebrate 3.5 billion years of life on Earth. More than 800 fossils are on permanent display. They include some of the largest land animals the world has known. More than 30 dinosaur specimens can be seen in the main gallery.
Coined by 19th century anthropologists, the term “vision quest” describes a spiritual journey in various Indigenous cultures in which participants, often adolescents, are said to receive sacred knowledge and strength from the spirit world. Practised as a rite of passage among some Indigenous cultures in North America, such as the Siksika (Blackfoot), Cree, Anishinaabe (including the Ojibwe) and Inuit, vision quests reflect the role of spirituality and contemplative thinking in Indigenous cultures, and provide an important connection between the participant, the Creator and nature. Though reduced as a practice following colonization, vision quests remain part of the cultural traditions of Indigenous populations in Canada in the modern era.
Trickster is a word used to describe a type of supernatural figure that appears in the folklore of various cultures around the world. In Canada, the word has been popularized by anthropologists studying the role of these figures in Indigenous teachings and oral histories. Indigenous peoples call tricksters by their own names, such as Glooscap or Glooskap (Algonquian), Wisakedjak or Weesageechak (Cree) and Nanabush or Nanabozho (Anishinaabe). While Indigenous nations construct tricksters in their own ways, there are some cross-cultural similarities. Often considered cultural heroes, tricksters are credited with protecting (and in some cases, creating) human life. As their name suggests however, tricksters are also associated with rule-breaking. They are curious pranksters who frequently cross and challenge boundaries, as well as ignore social harmony and order. For generations, trickster stories have been used to entertain community members as well as to transmit traditional knowledge about society, culture and morality.
Anishinaabemowin (also called Ojibwemowin, the Ojibwe/Ojibwa language, or Chippewa) is an Indigenous language, generally spanning from Manitoba to Québec, with a strong concentration around the Great Lakes. Elders share that the term Anishinaabemowin acknowledges the creation story of the Ojibwe people: “Anishinaabe” means “the spirit that is lowered down from above,” “-mo” refers to expression through speech and “-win” refers to the life energy within, used to do so. Linguists also explain that “-win” is a nominalizer that turns the verb Anishinaabemo (“he/she is speaking the Anishinaabe language”) into a noun.
A windigo is a supernatural being belonging to the spiritual traditions of Algonquian-speaking First Nations in North America. Windigos are described as powerful monsters that have a desire to kill and eat their victims. In most legends, humans transform into windigos because of their greed or weakness. Various Indigenous traditions consider windigos dangerous because of their thirst for blood and their ability to infect otherwise healthy people or communities with evil. Windigo legends are essentially cautionary tales about isolation and selfishness, and the importance of community.
Cultural appropriation is the use of a people’s traditional dress, music, cuisine, knowledge and other aspects of their culture, without their approval, by members of a different culture. For Indigenous peoples in Canada, cultural appropriation is rooted in colonization and ongoing oppression. Indigenous peoples have seen culturally significant symbols and motifs used in non-Indigenous goods, marketing and art. They have also seen stereotypical images of “Indians” used in sports logos and the sale of various products.