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According to legend, Sheila Na Geira (also spelled NaGeira and Nagira) was an Irish aristocrat or princess who, 300 or 400 years ago, while travelling between France and Ireland, was captured by a Dutch warship and then rescued by British privateers. She fell in love and was married to one of the privateers, Lieutenant Gilbert Pike. They settled at western Conception Bay. By the early 20th century, the legend was being told as part of Newfoundland’s oral tradition, and has since been popularized by poems, novels, scholarly articles and several plays.

The Encyclopedia of Music in Canada was the first music encyclopedia published in Canada. It comprises more than 3,100 articles and 500 illustrations. It includes biographies of Canadian musicians and histories of music organizations in Canada. Topics that are covered include Inuit music, piano building, awards, education, instrument collections, folk music, the music scenes in Canadian cities and Canada's musical relations with other national cultures. Bibliographies, discographies and lists of compositions are included. Because of its role in documenting Canada's musical history, the EMC is a standard reference work for schools, libraries and musicians.

Aboriginal Peoples Television Network (APTN) is the world’s first Indigenous national broadcaster dedicated to Indigenous programming. First broadcast on 1 September 1999 in Winnipeg, Manitoba, APTN provides various content, including news, dramas and documentaries. Aimed at diverse audiences, APTN offers programming in Indigenous languages, English and French. It broadcasts into more than 11 million Canadian households and businesses, a significant portion of which are located in remote areas. APTN mainly generates revenue for operations through subscriber fees, advertising sales and partnerships.

"Alouette!" The most popular Canadian folksong. It also has become a symbol of French Canada for the world, an unofficial national song identifiable from the first few measures of its lively chorus in 2/4 time. Marius Barbeau is of the opinion that "Alouette" originated in France, but James J. Fuld, in The Book of World-Famous Music (New York 1966), points out that the first written version, "Alouetté," appeared in A Pocket Song Book for the Use of Students and Graduates of McGill College (Montreal 1879). The song was published later as "Alouette" in the McGill College Song Book (Montreal 1885). The first known printed version in France dates from 1893: it appeared in Julien Tiersot's Revue des traditions populaires, vol 8 (Paris). The words and music are found in many anthologies and collections in Canada, the USA, and even Europe, notably in William Parker Greenough's Canadian Folk-life and Folk-lore (New York 1897). Several versions exist in Canada. Marius Barbeau summarizes the different texts in a work appropriately named Alouette (Montreal 1946). However, in all versions of the song, with its enumerations and frequent recapitulations, the idea remains the same: the lark's feathers are plucked from its head, wings, back, tail, and so on.

'Gens du pays'. Song written by Gilles Vigneault and Gaston Rochon for the 1975 St-Jean-Baptiste celebrations on Mount Royal, Montreal. Its popularity has made it almost a national anthem in Quebec, where it is sung frequently by crowds at rallies or on festive occasions.

The Canadian Tulip Festival takes place in and around Ottawa every spring. It is one of the world’s largest tulip displays. During the festival, over a million tulips in over 100 varieties are in bloom in the National Capital Region. The festival’s origins lie in Canada’s role in both liberating the Netherlands and hosting members of the Dutch royal family during the Second World War. After the war, the Netherlands began presenting Canada with tulip bulbs in gratitude. This tradition continues to this day. The inaugural festival was held in 1953. (See also Liberation of the Netherlands.)

For some Indigenous peoples, Turtle Island refers to the continent of North America. The name comes from various Indigenous oral histories that tell stories of a turtle that holds the world on its back. For some Indigenous peoples, the turtle is therefore considered an icon of life, and the story of Turtle Island consequently speaks to various spiritual and cultural beliefs.

At an event in Williams Lake, British Columbia, in May 2013, the orange shirt was presented as a symbol of Indigenous peoples’ suffering caused by residential schools, which operated from the 1830s to the 1990s. The event led to the annual 30 September Orange Shirt Day as a means of remembrance, teaching and healing. In June 2021, the federal government declared 30 September a national statutory holiday to coincide with Orange Shirt Day. (See also Reconciliation in Canada.)

Filmmaking is a powerful form of cultural and artistic expression, as well as a highly profitable commercial enterprise. From a practical standpoint, filmmaking is a business involving large sums of money and a complex division of labour. This labour is involved, roughly speaking, in three sectors: production, distribution and exhibition. The history of the Canadian film industry has been one of sporadic achievement accomplished in isolation against great odds. Canadian cinema has existed within an environment where access to capital for production, to the marketplace for distribution and to theatres for exhibition has been extremely difficult. The Canadian film industry, particularly in English Canada, has struggled against the Hollywood entertainment monopoly for the attention of an audience that remains largely indifferent toward the domestic industry. The major distribution and exhibition outlets in Canada have been owned and controlled by foreign interests. The lack of domestic production throughout much of the industry’s history can only be understood against this economic backdrop.

This article is one of four that surveys the history of the film industry in Canada. The entire series includes: Canadian Film History: 1896 to 1938; Canadian Film History: 1939 to 1973; Canadian Film History: 1974 to Present; Canadian Film History: Notable Films and Filmmakers 1980 to Present.

Inuktitut is an Indigenous language in North America, spoken in the Canadian Arctic. The 2016 census reported 39,770 speakers, of which 65 per cent lived in Nunavut and 30.8 per cent in Quebec. Inuktitut is part of a larger Inuit language family, stretching from Alaska to Greenland. Inuktitut uses a writing system called syllabics, created originally for the Cree language, which represent combinations of consonants and vowels. The language is also written in the Roman alphabet, and this is the exclusive writing system used in Labrador and parts of Western Nunavut. Inuktitut is a polysynthetic language, meaning that words tend to be longer and structurally more complex than their English or French counterparts. (See also Indigenous Languages in Canada.)

Joual is the name given, in specific sociological and socio-historical situations, to the variety of French spoken in Québec.

The early Inuit (Thule) were an Indigenous people who began to occupy the Arctic, from Alaska to Greenland, around 1000 CE. In the winter, the early Inuit used a house built partially into the ground to keep them warm for long periods of time. One striking feature of this structure was the roof, which was sometimes made of whalebone. (See also Architectural History of Indigenous Peoples in Canada.)

Before the arrival of Europeans, Indigenous peoples in Canada had their own building traditions. Dwellings and structures differed vastly from nation to nation, depending on their purpose and function. Building traditions also reflected important aspects of Indigenous peoples’ respective cultures, societies, geographies, environments and spiritual beliefs. This article provides an overview of the main types of dwellings and structures used by Indigenous peoples in the Arctic, Subarctic, Northwest Coast, Plateau, Plains and Eastern Woodlands.

Fatty Legs (2010) is a memoir about a young Inuvialuit girl’s two years at a religious residential school. It is based on the experiences of Margaret Pokiak-Fenton, who cowrote the novel with her daughter-in-law Christy Jordan-Fenton. Published by Annick Press, the book features illustrations by Liz Amini-Holmes and archival photographs from Pokiak-Fenton’s personal collection. Fatty Legs was a finalist for the Sheila A. Egoff Children’s Literature Prize. It received many other nominations and was named one of the 10 best children’s books of the year by the Globe and Mail.

The Polaris Music Prize was founded by Steve Jordan in 2006 and is awarded annually to the Canadian artist or group who creates the best full-length album. The mandate of the Polaris Music Prize has been likened to that of the UK’s Mercury Prize; all genres of contemporary music are eligible, and albums are judged on artistic merit rather than on commercial success. The winner is announced at the Polaris Music Prize Gala held each September in Toronto. The original cash prize of $20,000 was increased to $30,000 in 2011 and to $50,000 in 2015. Shortlisted artists have often performed at the Gala, which is broadcast live on CBC Radio 3 and YouTube.

This entry presents an overview of Quebec cinema, from the explosion that followed Denys Arcand’s Le déclin de l’empire américain (1986) to the setback that followed 10 years later and the new wave of filmmaking that emerged at the beginning of the 21st century. It highlights the most important films, whether in terms of box office success or international acclaim, and covers both narrative features and documentaries. It also draws attention to an aspect of filmmaking that still has difficulty finding its place: women's cinema.