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Article

Encyclopedia of Music in Canada

The Encyclopedia of Music in Canada was the first music encyclopedia published in Canada. It comprises more than 3,100 articles and 500 illustrations. It includes biographies of Canadian musicians and histories of music organizations in Canada. Topics that are covered include Inuit music, piano building, awards, education, instrument collections, folk music, the music scenes in Canadian cities and Canada's musical relations with other national cultures. Bibliographies, discographies and lists of compositions are included. Because of its role in documenting Canada's musical history, the EMC is a standard reference work for schools, libraries and musicians.

Editorial

Celebrating Thirty Years of the Encyclopedia of Music in Canada

The following is an abridged excerpt from Unheard Of: Memoirs of a Canadian Composer by John Beckwith. (Wilfrid Laurier University Press, Waterloo, Ontario. February 2012)

When Helmut Kallmann's A History of Music in Canada 1534-1914 appeared in 1960, nothing half as thorough or as finely documented had ever been produced, either in English or in French, on this topic. When I asked what he planned to do for an encore, he thought his findings suggested two directions: an alphabetically organized dictionary about music and musical life in Canada; or a scholarly edition, probably in several volumes, preserving the most significant published music of the country’s past. This prediction amounted to an outline of his work on the Encyclopedia of Music in Canada.

Article

Orff Approach

The Orff approach, also known as Orff-Schulwerk or Music for Children, is an approach to music education conceived by the German composer Carl Orff (1895-1982). It was developed in the 1920s and 1930s while Orff was music director of the Günther-Schule, a school of dance and music in Munich. The guiding principles were contained in his publication Orff-Schulwerk (Mainz 1930-5), to which revisions came later.

Article

School and Youth Bands in Canada

Bands came into favour in Canadian schools at the beginning of the 20th century. Educators, parents, and civic leaders recognized early the worth of the band as an adjunct to school games, dances, and other events. They also saw in it an attractive music-teaching device and an excellent means of building co-operative and coordinated behaviour and stimulating school spirit. More recently, bands have become accepted as vehicles for international cultural and educational exchange. Many Canadian school bands have undertaken international tours, winning awards and recognition.