Indian Music in Canada
In 1986 in Canada there were approximately 280,000 people of Asian Indian origin, the majority of whom had arrived after 1968. Earlier immigrants from India were mostly Sikh labourers who arrived ca 1905-8 from the Punjab.
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Create AccountIn 1986 in Canada there were approximately 280,000 people of Asian Indian origin, the majority of whom had arrived after 1968. Earlier immigrants from India were mostly Sikh labourers who arrived ca 1905-8 from the Punjab.
Association de musique actuelle de Québec (AMAQ). Non-profit organization founded in June 1978 by Irène Brisson, Claude Brisson, Pierre Genest, Michel Drapeau, Odile Magnan, André Morin, and Gisèle Ricard to promote and disseminate contemporary music from Canada (especially Quebec) and abroad.
In 1986 there were 107,000 people of Arabic extraction in Canada. The first immigration, in 1882, brought only Syrians and Lebanese who, even in the 1970s, formed a majority of Arab-Canadians, though 17 nations were represented to some degree in the total.
In the 1986 Census of Canada, 107,000 listed Filipino as their single or multiple ethnic origin. Of these, 27,000 were born in Canada and 80,000 had immigrated: 31,000 in the period 1978-86, 45,000 in the period 1967-77, and the rest before 1967.
North American college and university songs tend to be associated with a specific institution, unlike traditional student songs such as 'Gaudeamus igitur' and 'Integer vitae.
Spanish immigration to Canada was moderate until 1950, by comparison with that from other major European nations. Nevertheless, by 1986 there were some 57,000 Spanish-Canadians, concentrated in cities in British Columbia, Ontario and Quebec.
1989 International Choral Festival/Festival Choral International 1989. Month-long series of choral performances held in Toronto 1-30 Jun 1989, conceived by its artistic director Nicholas Goldschmidt.
CBC Opera Company. Founded in 1948 to perform on the radio series 'CBC Wednesday Night'. Under the chairmanship of Charles Jennings the company was administered by Harry Boyle, Terence Gibbs (producer), Nicholas Goldschmidt (conductor), Geoffrey Waddington (music adviser), and Arnold Walter.
Conferences and congresses. Canada has played host with increasing frequency to meetings of worldwide and North American musical organizations.
Victoria Symphony. Orchestra based in Victoria, B.C.; at one time British Columbia's largest community orchestra and, beginning in the mid-1970s, a fully professional ensemble.
The 2006 census recorded more than 250,000 persons of African origin in Canada.
"The Maple Leaf For Ever" is a patriotic song composed by Alexander Muir in October 1867, the year of Confederation; both words and music are Muir's. Next to "O Canada," which it antedates by 13 years, it has been the most popular patriotic song composed in Canada.
The largest of the 15 Union Republics that until 1991 made up the Union of Soviet Socialist Republics.
Jim Cuddy hears the music. I see the grotty stairwell. Standing in the open doorway amid the stacks of cardboard boxes and equipment cases, he slaps his palms together and cocks his head for the echo that stretches thin above us.
'V'là l'bon vent!' Folksong on the theme of the 'trois canards' or three ducks, of which there are some 100 variants.
The Violinmakers Association of British Columbia.
Academy String Quartet. Group associated with the Canadian Academy of Music, Toronto, and led by Luigi von Kunits. It performed at academy functions as early as 1912, and accompanied the academy's Madrigal Society in 1913.
Weber Piano Company Ltd. Manufacturers of grand, square, and upright pianos, founded as Messrs Weber & Co in Market Square, Kingston, Ont, in 1871. The firm also sold parlour organs and melodeons by other makers. Weber succeeded an earlier piano manufacturer, John C.
“Song for the Mira” is a contemporary folk song in the Celtic style, written in 1973 by Allister MacGillivray. Its lyrics speak of a longing for, and eventual return to, the serenity of the Mira River region of Cape Breton, Nova Scotia. Brought to international attention by Anne Murray and covered more than 300 times, the song has become a standard in the Celtic repertoire and something of an anthem in Nova Scotia.