C.R.A.Z.Y. is the story of a young Montréal man’s coming of age and coming out during the Quiet Revolution, a time of great social change in Québec. Bursting with raw vitality and heartfelt performances, the film became a critical and commercial smash hit. It won 10 Genie Awards and 12 Jutra Awards (now Prix Iris) — including best picture, director, screenplay and actor at both galas — as well as the Golden Reel Award and the Billet d’Or as the year’s top-grossing domestic film in Canada and Québec, respectively. It was named one of the Top 10 Canadian films of all time in a poll conducted by the Toronto International Film Festival (TIFF) in 2015, and one of 150 essential works in Canadian cinema history in a similar poll in 2016.
The word "ethnomusicology" was adopted by a group of music scholars in the 1950s to replace "comparative musicology". In the early and mid-20th century, the field was often defined to encompass musical traditions other than European art music (the study of which is sometimes labelled "historical musicology"). In the late 20th century, on the other hand, ethnomusicologists broadened the field to encompass, not only what is marketed as "world music", but all musical practices, the ideas that shape them, and the social contexts that sustain them. That is, ethnomusicologists ask questions about the ways in which social attitudes and values shape the production and reception of musical sound. In addition, they consider how the performance of sound itself and the means by which the sound circulates (ie, in performance, via broadcasts, or as a commodity) shapes social values and attitudes, in turn structuring such things as class, ethnicity and gender.
Since the Stratford Festival is the model for the Atlantic Theatre Festival, Bawtree invited Michael Langham, former Stratford artistic director, to direct Kentville native Peter Donat in the Festival's first performance of Shakespeare's The Tempest, which opened on 16 June 1995.