The game is six degrees of Canadian history. Take two seemingly unrelated pieces of Canadian culture and connect the dots through various people, places and events to discover how they’re distantly — or maybe not-so-distantly — related. Along the way, we visit the quizzical and curious, the tragic and comic, and everything in between.
Arlene Stamp, painter (b at London, Ont 4 June 1938). Stamp studied art at the Alberta College of Art and Design (1974-76) and the University of Calgary (BFA, 1979, and post-graduate studies from 1979-80). Previously she had studied mathematics at the University of Western Ontario (BA, 1960).
A fervent polemicist, Plamondon frequently wrote to the newspapers to argue his pictorial ideas and attack his rivals. In 1851, a year after winning a first prize with his Chasse aux tourtes at the Exposition de Québec, he moved his studio to Neuville, about 30 km upstream from Québec.
In 1973 av Paul moved to Montréal, joining Les Grands Ballets Canadiens as principal dancer. Her beauty, artistic maturity and versatility won her a wide-ranging repertoire in both purely classical and neo-classical works and she created many roles in new ballets including several by Macdonald.
André Fauteux, sculptor (b at Dunnville, Ont 15 Mar 1946). He received his basic art education at Central Technical School in Toronto and worked with Anthony Caro (York University, 1974-75). Fauteux is known for the elegant, controlled line of drawing that characterizes his abstract sculptures.
Adrien Hébert's artistic career may be said to have begun in 1909 when he exhibited for the first time at the AAM's Salon du printemps, a venue that regularly featured his works up until 1954. From 1910 to 1960 his paintings were shown at the annual exhibitions of the Royal Canadian Academy of Arts.